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Abbey artist beauty brilliant British Browning called century Charles charm church close club collection color Corner death distinguished Doctor Duke early effects Elizabeth Barrett Browning England English entered entire famous fashion feel force French friends Gallery George given ground held holds honor hour House human hundred Hyde Park ideal important impressive influence Institution interest Italy John King Lady land later lectures letters light lines literature lived London Lord meet memory ment Museum nature never noble offer organization painted Palace Pall Mall Paris passed picture poet portrait present Professor Queen represented residence rich Royal says scene social society spiritual Square stands statue Street things thought tion universe vision visitor Westminster women wonderful
Page 170 - For I dipt into the future, far as human eye could see, Saw the vision of the world, and all the wonder that would be; Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight, dropping down with costly bales; Heard the heavens fill with shouting, and there rained a ghastly dew From the nations...
Page 97 - Divinely through all hindrance finds the man Behind it, and so paints him that his face, The shape and colour of a mind and life, Lives for his children, ever at its best And fullest...
Page 277 - Who could resist the charm of that spiritual apparition, gliding in the dim afternoon light through the aisles of St. Mary's, rising into the pulpit, and then, in the most entrancing of voices, breaking the silence with words and thoughts which were a religious music, — subtle, sweet, mournful?
Page 276 - I confess I am not charmed with the ideal of life held out by those who think that the normal state of human beings is that of struggling to get on; that the trampling, crushing, elbowing, and treading on each other's heels, which form the existing type of social life, are the most desirable lot of human kind, or anything but the disagreeable symptoms of one of the phases of industrial progress.
Page 18 - In merry old England it once was a rule, The King had his Poet, and also his Fool : But now we're so frugal, I'd have you to know it, That Cibber can serve both for Fool and for Poet.
Page 90 - Ye mists and exhalations, that now rise From hill or steaming lake, dusky or gray, Till the sun paint your fleecy skirts with gold, In honour to the world's great Author rise...
Page 275 - THE night has a thousand eyes, And the day but one; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies When love is done.
Page 84 - This picture I, Alessandro, painted at the end of the year 1500, in the (troubles) of Italy in the half-time after the time during the fulfilment of the eleventh of St.
Page 84 - By purity of life, habitual elevation of thought, and natural sweetness of disposition, he was enabled to express the sacred affections upon the human countenance as no one ever did before or since. In order to effect clearer distinction between heavenly beings and those of this world, he represents the former as clothed in draperies of the purest colour, crowned with glories of burnished gold, and entirely shadowless.