Englische Studien, Volume 44

Front Cover
Eugen Kölbing, Johannes Hoops, Reinald Hoops
O. R. Reisland, 1912
"Zeitschrift für englische Philologie" (varies slightly).
 

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Page 60 - ... the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true, that partial apprehension of the agencies of the invisible world which is called religion.
Page 76 - Which through the summer is not heard or seen, As if it could not be, as if it had not been! Thus let thy power, which like the truth Of nature on my passive youth Descended, to my onward life supply Its calm — to one who worships thee, And every form containing thee, Whom, Spirit fair, thy spells did bind To fear himself, and love all human kind.
Page 53 - Poetry turns all things to loveliness ; it exalts the beauty of that which is most beautiful, and it adds beauty to that which is most deformed ; it marries exultation and horror, grief and pleasure, eternity and change ; it subdues to union, under its light yoke, all irreconcilable things.
Page 4 - Or feyne thyng, or fynde wordes newe. He may nat spare, althogh he were his brother; He moot as wel seye o word as another. Crist spak hymself ful brode in hooly writ, And wel ye woot no vileynye is it. Eek Plato seith, whoso that kan hym rede, The wordes moote be cosyn to the dede.
Page 71 - Sounds as well as thoughts have relation both between each other and towards that which they represent, and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts.
Page 48 - While yet a boy I sought for ghosts, and sped Through many a listening chamber, cave and ruin, And starlight wood, with fearful steps pursuing Hopes of high talk with the departed dead.
Page 42 - Poets are not only subject to these experiences as spirits of the most refined organization, but they can colour all that they combine with the evanescent hues of this ethereal world; a word, a trait in the representation of a scene or a passion will touch the enchanted chord, and reanimate, in those who have ever experienced these emotions, the sleeping, the cold, the buried image of the past.
Page 474 - tis not in The harmony of things, — this hard decree, This uneradicable taint of sin, This boundless upas, this all-blasting tree, Whose root is earth, whose leaves and branches be The skies which rain their plagues on men like dew — Disease, death, bondage — all the woes we see, And worse, the woes we see not — which throb through The immedicable soul, with heart-aches ever new.
Page 43 - But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured curtain, or withdraws life's dark veil from before the scene of things, it equally creates for us a being within our being. It makes us the inhabitants of a world to which the familiar world is a chaos.
Page 59 - And lovely apparitions, dim at first, Then radiant, — as the mind, arising bright From the embrace of beauty (whence the forms Of which these are the phantoms), casts on them The gathered rays which are reality, — Shall visit us ; the progeny immortal Of Painting, Sculpture, and rapt Poesy, And arts, though unimagined, yet to be.

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