The British New Wave: A Certain Tendency?This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films. |
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achieve action allows appears approach Archie Arthur becomes begin Billy Billy's British Cinema British film British New Wave camera characters claims close comes concerns concludes connection consider context continues couple critical cuts demonstrate desire Despite detail directors discussion distance effect elements emphasis establish evident examination example existing face fact feeling film criticism film's final frame Frank further Hill idea important individual interesting interpretation John kind lack landscape leave limits London looking Margaret meaning mise-en-scène move movement Movie narrative notes objections offers once opening opportunity particular Perkins play position possible presentation problem question reading realism relation relationship response result revealed Richardson Room seen sense sequence shot Sight and Sound significance similar social spaces specific Sporting standing style suggests tells things tion understanding writes