Drawing on the Artist WithinTouchstone, 1986 - 256 pages Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art. AH-HA! I SEE IT NOW! Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha! of creativity. Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on. Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways. You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps: * First insight * Saturation * Incubation * Illumination (the Ah-Ha!) * Verification Through simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving. |
Contents
A New Look at the Art of Seeing | 1 |
Creativity The Chameleon Concept | 2 |
Drawing on Gleams from Within | 10 |
Copyright | |
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ability analog drawings anger angle answer artist basic beautiful cognitive shift complex component skills concept creative process creative thinking edges eraser esthetic example experience expression focus format gesture drawing glitch global skill hand hemisphere HENRI MATISSE human idea Illumination Imagine imaging response Incubation insight instruction intuitively JACQUES HADAMARD Jonathan Miller L-mode learning to draw light shapes look marks meaning mental mind Necker Cubes negative spaces objects PABLO PICASSO paper paradox pencil perceived perception perceptual skills perhaps person photograph picture plane Portrait Preinstruction Drawing Problem Analog problem solving Pure Contour Drawing question requires Robert Musil RUDOLF ARNHEIM Saturation stage seems sense shift shown in Figure sighting simply solution stage of creativity structure Student analog subconscious things tion tive upside Verification visual information visual language visual perception WASSILY KANDINSKY whole words writing