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" So deeply had she drunken in That look, those shrunken serpent eyes, That all her features were resigned To this sole image in her mind: And passively did imitate That look of dull and treacherous hate! "
The Eclectic Review - Page 563
edited by - 1816
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The Eclectic review. vol. 1-New [8th], Volume 5

1816
...know not how, in fearful wise That look, those shrunken serpent eyes, So deeply had she drunken in That all her features were resign'd To this sole image...did imitate That look of dull and treacherous hate. Still picturing that look askance, And thus she stood, in dizzy trance, Full before her father's view...
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The Augustan review, Volume 3

1816
...! her thoughts are gone, She nothing sees — no sight hut one ! The maid, devoid of guile and sin, I know not how, in fearful wise So deeply had she...shrunken serpent eyes,. That all her features were resign 'd To this sole image in her mind : And passively did imitate That look of dull and treacherous...
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Christabel: Kubla Khan, a Vision ; The Pains of Sleep

Samuel Taylor Coleridge - 1816 - 64 pages
...alas ! her thoughts are gone, She nothing sees—no sight but one ! The maid, devoid of guile and sin, I know not how, in fearful wise So deeply had she drunken in That look, those shrunken serpent eye*, That all her features were resign'd To this sole image in her mind : And passively did imitate...
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The Poetical Works of S.T. Coleridge: Including the Dramas of Wallenstein ...

Samuel Taylor Coleridge - 1828
...her thoughts are gone, She nothing sees — no sight but one ! But The maid, devoid of guile and sin, I know not how, in fearful wise So deeply had she...shrunken serpent eyes, That all her features were resigned To this sole image in her mind : And passively did imitate That look of dull and treacherous...
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The Poetical Works of Coleridge, Shelley, and Keats: Complete in ..., Volume 1

Samuel Taylor Coleridge - 1829 - 575 pages
...! her thoughts arc gone, She nothing nées— no úght but one ! The maid, devoid of guile and sin, THL resigned To this sole image in her mind: And passively did imitate That look of dull and treacherous...
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The Poetical Works of Coleridge, Shelley, and Keats: Complete in One Volume

Samuel Taylor Coleridge - 1831 - 607 pages
...! her thoughts ore gone, She nothing sees — no sight but one ! The maid, devoid of guile and sin, u had vanish'd, like thin mist Unrolled on the morning wind. Know ye not me, The Titan ? He wh eye», That all her features were rcsign'd To this sole image in her mind : And passively did imitate...
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The Poetical Works of Coleridge, Shelley, and Keats: Complete in One Volume

Samuel Taylor Coleridge - 1838 - 603 pages
...! her thoughts are gone. She nothing sees — no sight but one ! The maid, devoid of guile and sin, I know not how, in fearful wise So deeply had she drunken in That look, those shrunken serpent eye*, That all her features were resign'd To this sole image in her mind : And passively did imitate...
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The Works of Samuel Taylor Coleridge, Prose and Verse: Complete in One Volume

Samuel Taylor Coleridge - 1840 - 546 pages
...! her thoughts are gone, She nothing tee* — no sight but one ! The maid, devoid of guile and tin, ZL@, } f8 E ) Qqp ӑ Jv 3Y ݙU 2a~ 8* 3 D B v% ÚAU( q L E 6 eye*. That all her features were resign'd To this sole image in her mind : And passively did imitate...
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Imagination and Fancy: Or, Selections from the English Poets, Illustrative ...

Leigh Hunt - 1845 - 255 pages
...malice and more of dread, At Christabel she look'd askance. ***** The maid devoid of guile and sin I know not how, in fearful wise, So deeply had she...did imitate That look of dull and treacherous hate, This is as exquisite in its knowledge of the fascinating tendencies of fear as it is in its description....
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Imagination and Fancy: Or, Selections from the English Poets, Illustrative ...

Leigh Hunt - 1845 - 345 pages
...malice and more of dread, At Christabel she look'd askance. ****** The maid devoid of guile and sin I know not how, in fearful wise, So deeply had she...did imitate That look of dull and treacherous hate. This is as exquisite in its knowledge of the fascinating tendencies of fear as it is in its description....
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