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admirable appear beauty becomes cause character characteristic circumstances comedy common compared connected contrast critics distinct doubt drama effect equal excellence excitement expressed fact fancy fear feeling fool former genius give Greek Hamlet hand heart Hence Henry human images imagination imitation immediately individual instance interest Italy judgment kind king language latter Lear least less living look Macbeth manner means mere merely metre mind moral nature never noble object observe once origin Othello passage passion perfect perhaps persons play pleasure poem poet poetry present principle produced reason represented respect rest Richard rules scene seems sense Shake Shakespeare soliloquy sort speak speech spirit stage supposed thing thou thought tion tragedy true truth understanding whole
Page 125 - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
Page 228 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 171 - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
Page 225 - If chance will have me king, why, chance may crown me, Without my stir.
Page 223 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 198 - Ay ' and ' no ' too was no good divinity. When the rain came to wet me once and the wind to make me chatter ; when the thunder would not peace at my bidding ; there I found 'em, there I smelt 'em out. Go to, they are not men o' their words : they told me I was every thing ; 'tis a lie, I am not ague-proof.
Page 4 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Page 46 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Page 96 - From women's eyes this doctrine I derive: They sparkle still the right Promethean fire ; They are the books, the arts, the academes, That show, contain, and nourish all the world...