Complete WorksHoughton, Mifflin and Company, 1899 |
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Page 13
... come from those heavenly worlds will separate between him and what he touches . One might think the atmosphere was made transparent with this design , to give man , in the heavenly bodies , the perpetual presence of the sublime . Seen ...
... come from those heavenly worlds will separate between him and what he touches . One might think the atmosphere was made transparent with this design , to give man , in the heavenly bodies , the perpetual presence of the sublime . Seen ...
Page 22
... comes out of the din and craft of the street and sees the sky and the woods , and is a man again . In their eter- nal calm , he finds himself . seems to demand a horizon . The health of the eye We are never tired , so long as we can see ...
... comes out of the din and craft of the street and sees the sky and the woods , and is a man again . In their eter- nal calm , he finds himself . seems to demand a horizon . The health of the eye We are never tired , so long as we can see ...
Page 23
... come within doors . What was it that nature would say ? Was there no meaning in the live repose of the valley behind the mill , and which Homer or Shakspeare could not re - form for me in words ? The leafless trees become spires of ...
... come within doors . What was it that nature would say ? Was there no meaning in the live repose of the valley behind the mill , and which Homer or Shakspeare could not re - form for me in words ? The leafless trees become spires of ...
Page 25
... come shows merely , and mock us with their unreal- ity . Go out of the house to see the moon , and ' t is mere tinsel ; it will not please as when its light shines upon your necessary journey . The beauty that shimmers in the yellow ...
... come shows merely , and mock us with their unreal- ity . Go out of the house to see the moon , and ' t is mere tinsel ; it will not please as when its light shines upon your necessary journey . The beauty that shimmers in the yellow ...
Page 26
... come each and look at them once in the steep defile of Thermopyla ; when Arnold Winkelried , in the high Alps , under the shadow of the avalanche , gathers in his side a sheaf of Aus- trian spears to break the line for his comrades ...
... come each and look at them once in the steep defile of Thermopyla ; when Arnold Winkelried , in the high Alps , under the shadow of the avalanche , gathers in his side a sheaf of Aus- trian spears to break the line for his comrades ...
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action alembic appear beauty becomes behold better born cause character church conservatism divine doctrine earth enon Epaminondas eternal exist fact faculties faith fantas fear feel genius give Goethe Greece heart heaven Heraclitus honor hope hour human ical idea ideal theory intel intellect justice and truth labor land light ligion live look mankind means ment mind moral nature ness never noble objects persons philosophy Pindar plant Plato Plotinus poet poetry reason reform relation religion rich Rome Saturn scholar seems sense sentiment shines slavery society solitude soul speak spect spirit stand stars sublime things thou thought tion to-day trade Transcendentalist true truth ture universal Uranus virtue whilst whole wisdom wise wish words worship youth Zoroaster
Popular passages
Page 79 - The problem of restoring to the world original and eternal beauty, is solved by the redemption of the soul. The ruin or the blank, that we see when we look at nature, is in our own eye.
Page 60 - Take, oh take those lips away, That so sweetly were forsworn ; And those eyes, the break of day, Lights that do mislead the morn : But my kisses bring again, , bring again, ' . -' Seals of love, but seal'd in vain.
Page 33 - Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance. Right means straight; wrong means twisted. Spirit primarily means wind; transgression, the crossing of a line; supercilious, the raising of the eyebrow.
Page 112 - I ask not for the great, the remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Proven§al minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low.
Page 78 - The difference between the actual and the ideal force of man is happily figured by the schoolmen, in saying, that the knowledge of man is an evening knowledge, vespertina cognitio, but that of God is a morning knowledge, matutina cognitio.
Page 88 - Thinking, the theory of his office is contained. Him Nature solicits with all her placid, all her monitory pictures ; him the past instructs ; him the future invites. Is not indeed every man a student, and do not all things exist for the student's behoof? And, finally, is not the true scholar the only true master? But the old oracle said, "All things have two handles: beware of the wrong one.
Page 105 - In silence, in steadiness, in severe abstraction, let him hold by himself; add observation to observation, patient of neglect, patient of reproach, and bide his own time — happy enough if he can satisfy himself alone that this day he has seen something truly.
Page 116 - See already the tragic consequence. The mind of this country, taught to aim at low objects, eats upon itself. There is no work for any but the decorous and the complaisant. Young men of the fairest promise, who begin life upon our shores, inflated by the mountain winds, shined upon by all the stars of God, find the earth below not in unison with these, but are hindered from action by the disgust which the principles on which business is managed inspire, and turn drudges, or die of disgust, some of...
Page 21 - To diminish friction, he paves the road with iron bars, and, mounting a coach with a ship-load of men, animals, • and merchandise behind him, he darts through the country, from town to town, like an eagle or a swallow through the air. By the aggregate of these aids, how is the face of the world changed, from the era of Noah to that of Napoleon!
Page 56 - It is the uniform effect of culture on the human mind, not to shake our faith in the stability of particular phenomena, as of heat, water, azote; but to lead us to regard nature as a phenomenon, not a substance; to attribute necessary existence to spirit; to esteem nature as an accident and an effect.