A Poetry PrimerFarrar & Rinehart, incorporated, 1935 - 92 pages |
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Page 26
... structure is but a help to a more complete comprehension of the content . Since this is true , we shall first consider how to study the content of a poem , and in later chapters give attention to its form and structure . DISCOVERING THE ...
... structure is but a help to a more complete comprehension of the content . Since this is true , we shall first consider how to study the content of a poem , and in later chapters give attention to its form and structure . DISCOVERING THE ...
Page 64
... structure , and the epode different ; and each part , consisting of strophe , antistrophe , and epode , exactly duplicated the others — that is , if an ode had three parts , parts two and three would have the same structure as part one ...
... structure , and the epode different ; and each part , consisting of strophe , antistrophe , and epode , exactly duplicated the others — that is , if an ode had three parts , parts two and three would have the same structure as part one ...
Page 67
... structure with the first , and the second epode with the first epode ; and the third part is identical in structure with the two preceding parts . The number of parts an ode might have was flexible , but each part had to be complete ...
... structure with the first , and the second epode with the first epode ; and the third part is identical in structure with the two preceding parts . The number of parts an ode might have was flexible , but each part had to be complete ...
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Common terms and phrases
abab accent anapest antistrophe basic foot beauty birds blank verse Browning's called catalexis century cesura CHAPTER common consonants couplet Cowleyan dactyl death doth drama elements emotion employed English poetry English verse envoy epode examples experience expression feeling feet free verse give Greek hath Heaven heroic epic iamb iambic pentameter ideas imagination important instance Italian form Keats language light lines LONGFELLOW love thee Lowell's lyric poetry matter Matthew Arnold metre metrical scheme Milton mind narrative poetry night o'er Paradise Lost pause person Pindar poem poet poetic popular ballad prose prosody qualities quatrain rhetorical rhythm rime-scheme riming words Robert Bridges Rose sense Shakespeare Shelley Shelley's sing song sonnet soul sounds Spenser's stanza stanzaic forms story stress strophe structure student sweet syllables rime TENNYSON tercet themes things thou thought tion trochaic trochee understanding unstressed syllables usually vowels W. B. Yeats Whitman's WORDSWORTH writing written