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silence me, but I seek one who shall make me forget or overcome the frigidities and imbecilities into which I fall. The painter Giotto, Vasari tells us, renewed art because he put more goodness into his heads. To awake in man and to raise the sense of worth, to educate his feeling and judgment so that he shall scorn himself for a bad action, that is the only aim.

'Tis cheap and easy to destroy. There is not a joyful boy or an innocent girl buoyant with fine purposes of duty, in all the street full of eager and rosy faces, but a cynic can chill and dishearten with a single word. Despondency comes readily enough to the most sanguine. The cynic has only to follow their hint with his bitter confirmation, and they check that eager courageous pace and go home with heavier step and premature age. They will themselves quickly enough give the hint he wants to the cold wretch. Which of them has not failed to please where they most wished it? or blundered where they were most ambitious of success? or found themselves awkward or tedious or incapable of study, thought or heroism, and only hoped by good sense and fidelity to do what they could and pass unblamed? And this witty malefactor makes their little hope less with satire and skep

ticism, and slackens the springs of endeavor. Yes, this is easy; but to help the young soul, add energy, inspire hope and blow the coals into a useful flame; to redeem defeat by new thought, by firm action, that is not easy, that is the work of divine men.'

We live on different planes or platforms. There is an external life, which is educated at school, taught to read, write, cipher and trade; taught to grasp all the boy can get, urging him to put himself forward, to make himself useful and agreeable in the world, to ride, run, argue and contend, unfold his talents, shine, conquer and possess.

But the inner life sits at home, and does not learn to do things, nor value these feats at all. 'Tis a quiet, wise perception. It loves truth, because it is itself real; it loves right, it knows nothing else; but it makes no progress; was as wise in our first memory of it as now; is just the same now in maturity and hereafter in age, it was in youth. We have grown to manhood and womanhood; we have powers, connection, children, reputations, professions: this makes no account of them all. It lives in the great present; it makes the present great. This tranquil, wellfounded, wide-seeing soul is no express-rider, no

attorney, no magistrate: it lies in the sun and broods on the world. A person of this temper once said to a man of much activity, "I will pardon you that you do so much, and you me that I do nothing." And Euripides says that "Zeus hates busybodies and those who do too much."

XII

OLD AGE

ONCE more,' the old man cried, 'ye clouds,

Airy turrets purple-piled,

Which once my infancy beguiled,

Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,

yon

Shed mocking lustres on shelf of books,
On farmer's byre, on pasture rude,
And stony pathway to the wood.
I care not if the pomps you show
Be what they soothfast appear,
Or if realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,
If Nature give me joy again,

Of such deceit I'll not complain.'

As the bird trims her to the gale,

I trim myself to the storm of time,
I man the rudder, reef the sail,
Obey the voice at eve obeyed at prime:
Lowly faithful, banish fear,

Right onward drive unharmed;

The port, well worth the cruise, is near, And every wave is charmed.'

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