The Philistine ControversyVerso, 2002 - 314 pages Conventionally, the Philistine is assumed to have no value for art and culture, but in this re-evaluation of its excluded identity, the authors address the philistine not as an empirical phenomenon, but as a relational category that operates between art and anti-art, aesthetics and anti-aesthetics, arguing that the Philistine cuts to the core of the predicament of art in a divided culture. The authors develop what they call a counter-intuitive notion of the Philistine, claiming that what the Philistine tells us about cultural division and exclusion is more persuasive than the theories of the popular and the otherly-cultured in cultural studies and postmodernism. They contest that the counter-intuitive Philistine returns the cultural debate to the problems of the persistence of poser, privilege and symbolic violence. |
Contents
Spectres of the Aesthetic 133 | 13 |
The Ecstasy of Philistinism | 48 |
A Response to the New Philistines 133 | 73 |
Of Satiation Without Happiness | 103 |
An Ontology Genealogy and Defence | 125 |
Another Third Way? | 161 |
A Critical View | 175 |
Philistines and Art Vandals Get Upset | 201 |
When Art Works Crackle | 228 |
The Philistine and Cultural Studies | 255 |
The Philistine and the Logic of Negation | 272 |
Notes on Contributors | 300 |
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Common terms and phrases
abstract Adorno aesthetic subject Aesthetic Theory aestheticism Aesthetics and Subjectivity alienation anti-art argue argument art and aesthetics art history art's autonomy articulation artistic atheism avant-garde Baumeister Beech and John Beech and Roberts Benjamin Bernstein Birth of Tragedy bourgeois Bowie claim Clement Greenberg cognitive conceptual art contemporary counter-intuitive conception Critical Theory cultural division cultural studies Dada Dave Beech debate defence Degenerate Art derogation dialectic discourse dominant Eagleton epistemological essay ethical experience film German Greenberg human Ibid idea ideology intellectual issue John Roberts judgement kitsch Left London Marx Marxist masochistic mass culture means modern art modernist modernist art modes of attention Nazi negation Nietzsche nihilism nihilistic notion object ontology philistine modes philosophical pleasures political popular culture position postmodernism practice produced proletariat question radical rationalization relations repressed Roberts's Romantic Romanticism Sadeian sense social Socrates Sokal Sokal Affair species-being Spectres taste theoretical tradition truth validity violation writing