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The Baroque man and the world in flux II
Desert and charnelhouse
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already appears Baroque beauty begins body century Christ Church Classical colour compared conceit contemporaries contrast death described desire developed divine Donne draw earth English eternal experience expressed eyes face fact fall fate feeling final followers French garden give Góngora greater hand heart heaven Herbert hope human imagery Italian Italy king language less light lines living manner Marinists Marino Marvell Nature never objective once opening original passing passion past perhaps picture poem poet poet's poetry present pure Quevedo reality reason religious Renaissance Rome ruins seems seen sense similar single sonnet soul Spain Spanish speak style takes theme thing thought true turned verse vision whole writing