One True Theory & the Quest for an American Aesthetic

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Yale University Press, 2007 M01 1 - 306 pages

Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major "testing grounds" where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace "everything" in order to uncover the theoretical principles underlying "the idea of creation." The interactions of those who rose to this urgent challenge?artists, architects, writers, politicians, and the technocrats of scientific inquiry?brought about an engrossing tangle of achievements and failures.

The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. Following that is a hard look at heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.

 

Contents

PART ONE An American Aesthetic and Its Travails
1
PART TWO Capitol of Best Intentions
58
The Literary Approach
177
Notes
229
Index
302
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About the author (2007)

Martha Banta is professor emeritus of English at the University of California, Los Angeles. She is the author of several major books, including Imaging American Women: Idea and Ideals in Cultural History and Taylored Lives: Narrative Productions in the Age of Taylor, Veblen, and Ford.

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