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Ralph Waldo Emerson. INTELLECT ART SECOND SERIES THE POET EXPERIENCE CHARACTER MANNERS GIFTS NATURE POLITICS NOMINALIST AND REALIST NEW ENGLAND REFORMERS About the Book FIRST SERIES ESSAY 1 HISTORY There is no great and.
Ralph Waldo Emerson. INTELLECT ART SECOND SERIES THE POET EXPERIENCE CHARACTER MANNERS GIFTS NATURE POLITICS NOMINALIST AND REALIST NEW ENGLAND REFORMERS About the Book FIRST SERIES ESSAY 1 HISTORY There is no great and.
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... , the land was found, or the blow was struck, for us, as we ourselves in that place would have done or applauded. We have the same interest in condition and character. We honor the rich because they have externally the freedom,
... , the land was found, or the blow was struck, for us, as we ourselves in that place would have done or applauded. We have the same interest in condition and character. We honor the rich because they have externally the freedom,
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... character of the wise man. Books, monuments, pictures, conversation, are portraits in which he finds the lineaments ... character he seeks, in every word that is said concerning character, yea further in every fact and circumstance, – in ...
... character of the wise man. Books, monuments, pictures, conversation, are portraits in which he finds the lineaments ... character he seeks, in every word that is said concerning character, yea further in every fact and circumstance, – in ...
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... character! Observe the sources of our information in respect to the Greek genius. We have the civil history of that people, as Herodotus, Thucydides, Xenophon, and Plutarch have given it; a very sufficient account of what manner of ...
... character! Observe the sources of our information in respect to the Greek genius. We have the civil history of that people, as Herodotus, Thucydides, Xenophon, and Plutarch have given it; a very sufficient account of what manner of ...
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... character of the Nubian Egyptian architecture to the colossal form which it assumed. In these caverns, already prepared by nature, the eye was accustomed to dwell on huge shapes and masses, so that when art came to the assistance of ...
... character of the Nubian Egyptian architecture to the colossal form which it assumed. In these caverns, already prepared by nature, the eye was accustomed to dwell on huge shapes and masses, so that when art came to the assistance of ...
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action animal appear beauty become believe better body carry cause character circumstance comes common conversation divine draw earth effect equal eternal exists experience expression face fact fall fear feel force genius gifts give hand hear heart heaven hope hour human imagination individual intellect keep leave less light live look man's manner means measure meet mind moral nature never object once organ particular party pass perfect persons poet politics poor present reason relations religion rich secret seems seen sense side society soul speak spirit stand symbol talent things thou thought true truth universal virtue whilst whole wisdom wise wish wonderful write young