Littell's Living Age, Volume 47Living Age Company Incorporated, 1855 |
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Page 1
... heard French and English history . English Kings and thought so much , but which alone , have , ere now , swept along the streets of Par- amid the brilliant circle in which she moves , is , but they came to claim a kingdom which she has ...
... heard French and English history . English Kings and thought so much , but which alone , have , ere now , swept along the streets of Par- amid the brilliant circle in which she moves , is , but they came to claim a kingdom which she has ...
Page 24
... heard , the rors and tapestry . A lovely autumn night has bands in the great mirrored ballroom play set in , and the moon is shining pensively in a " God Save the Queen , " and a movement sky which is not altogether free from clouds ...
... heard , the rors and tapestry . A lovely autumn night has bands in the great mirrored ballroom play set in , and the moon is shining pensively in a " God Save the Queen , " and a movement sky which is not altogether free from clouds ...
Page 46
... heard he spatch ? I think such a document from Studt - never noticed Harcourt's remark . gard ought to be an unfailing soporific . " CHAPTER VI . QUEER COMPANIONSHIP . WHEN Harcourt repaired to Glencore's bedroom , where he still lay ...
... heard he spatch ? I think such a document from Studt - never noticed Harcourt's remark . gard ought to be an unfailing soporific . " CHAPTER VI . QUEER COMPANIONSHIP . WHEN Harcourt repaired to Glencore's bedroom , where he still lay ...
Page 51
... heard of life and its struggles ? It's not in Homer , or Sallust , he'd learn the strife of parties and public men . " " And why need he ever know them ? " broke in Glencore , fiercely . " If he doesn't know them now , he's sure to be ...
... heard of life and its struggles ? It's not in Homer , or Sallust , he'd learn the strife of parties and public men . " " And why need he ever know them ? " broke in Glencore , fiercely . " If he doesn't know them now , he's sure to be ...
Page 57
... heard The flute , violin , bassoon ; All night has the casement jassamine stirr'd To the dancers dancing in tune ; Till a silence fell with the waking bird And a hush with the setting moon . I said to the lily , There is but one With ...
... heard The flute , violin , bassoon ; All night has the casement jassamine stirr'd To the dancers dancing in tune ; Till a silence fell with the waking bird And a hush with the setting moon . I said to the lily , There is but one With ...
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Popular passages
Page 134 - I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges.
Page 16 - O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head ; Then shine the vales, the rocks in prospect rise, A flood of glory bursts from all the skies; The conscious swains, rejoicing in the sight. Eye the blue vault, and bless the useful light.
Page 33 - There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
Page 346 - tis certain ; very sure, very sure : death, as the Psalmist saith, is certain to all ; all shall die.
Page 134 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
Page 33 - She is coming, my dove, my dear; She is corning, my life, my fate; The red rose cries, "She is near, she is near"; And the white rose weeps, "She is late"; The larkspur listens, "I hear, I hear"; And the lily whispers, "I wait.
Page 30 - Sooner or later I too may passively take the print Of the golden age - why not? I have neither hope nor trust; May make my heart as a millstone, set my face as a flint, Cheat and be cheated, and die: who knows? we are ashes and dust.
Page 33 - For the black bat, night, has flown, Come into the garden, Maud, I am here at the gate alone ; And the woodbine spices are wafted abroad, And the musk of the rose is blown.
Page 33 - For ever and ever, mine.' VI And the soul of the rose went into my blood, As the music clash'd in the hall ; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all...
Page 127 - A stranger yet to pain! I feel the gales, that from ye blow, A momentary bliss bestow, As waving fresh their gladsome wing, My weary soul they seem...