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In nature, this self-registration is incessant, and the narrative is the print of the seal. It neither exceeds nor comes short of the fact. But nature strives upward; and, in man, the report is something more than print of the seal. It is a new and finer form of the original. The record is alive, as that which it recorded is alive. In man, the memory is a kind of looking-glass, which, having received the images of surrounding objects, is touched with life, and disposes them in a new order.' The facts do not lie in it inert; but some subside and others shine; so that we soon have a new picture, composed of the eminent experiences. The man coöperates. He loves to communicate; and that which is for him to say lies as a load on his heart until it is delivered. But, besides the universal joy of conversation, some men are born with exalted powers for this second creation. Men are born to write. The gardener saves every slip and seed and peach-stone: his vocation is to be a planter of plants. Not less does the writer attend his affair. Whatever he beholds or experiences, comes to him as a model and sits for its picture. He counts it all nonsense that they say, that some things are undescribable. He believes that all that can be thought can be

Goethe

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