of every ground-swell, every Chartist resolution, every Church squabble, every strike in the mills, they detect the first tremblings of change. They watch the hard and bitter struggles of the authors of each liberal movement, year by year; watching them only to taunt and obstruct them,-until, at last, when they see that these have established their fact, that power is on the point of passing to them, they strike in with the voice of a monarch, astonish those whom they succor as much as those whom they desert, and make victory sure. course the aspirants see that the "Times" is one of the goods of fortune, not to be won but by winning their cause.

Of

"Punch" is equally an expression of English good sense, as the "London Times." It is the comic version of the same sense. Many of its caricatures are equal to the best pamphlets, and will convey to the eye in an instant the popular view which was taken of each turn of public affairs. Its sketches are usually made by masterly hands, and sometimes with genius; the delight of every class, because uniformly guided by that taste which is tyrannical in England. It is a new trait of the nineteenth century, that the wit and humor of England, -as in Punch, so in the humorists, Jerrold, Dickens, Thackeray, Hood, have taken the di rection of humanity and freedom.

The "Times," like every important institution, shows the way to a better. It is a living index of the colossal British power. Its existence honors the people who dare to print all they know, dare to know all the facts and do not wish to be flattered by hiding the extent of the public disaster. There is always safety in valor. I wish I could add that this journal aspired to deserve the power it wields, by guidance of the public sentiment to the right. It is usually pretended, in Parliament and elsewhere, that the English press has a high tone,— which it has not. It has an imperial tone, as of a powerful and independent nation. But, as with other empires, its tone is prone to be official, and even officinal. The "Times" shares all the limitations of the governing classes, and wishes never to be in a minority. If only it dared to cleave to the right, to show the right to be the only expedient, and feed its batteries from the central heart of hu manity, it might not have so many men of rank among its contributors, but genius would be its cordial and invincible ally; it might now and then bear the brunt of formidable combinations, but no journal is ruined by wise courage. It would be the natural leader of British reform; its proud function, that of being the voice of Europe, the defender of the exile and patriot against despots, would be more effectually discharged; it would

have the authority which is claimed for that dream of good men not yet come to pass, an International Congress; and the least of its victories would be to give to England a new millennium of beneficent

power.

CHAPTER XVI.

STONEHENGE.

Ir had been agreed between my friend Mr. Carlyle and me, that before I left England we should make an excursion together to Stonehenge, which neither of us had seen; and the project pleased my fancy with the double attraction of the monument and the companion. It seemed a bringing together of extreme points, to visit the oldest religious monument in Britain in company with her latest thinker, and one whose influence may be traced in every contemporary book. I was glad to sum up a little my experiences, and to exchange a few reasonable words on the aspects of England with a man on whose genius I set a very high value, and who had as much penetration and as severe a theory of duty as any person in it. On Friday, 7th July, we took the South Western Railway through Hampshire to Salisbury, where we found a carriage to convey us to Amesbury. The fine weather and my friend's local knowledge of Hampshire, in which he is wont to spend a part of every summer, made the way short. There was

much to say, too, of the travelling Americans and their usual objects in London. I thought it natural that they should give some time to works of art collected here which they cannot find at home, and a little to scientific clubs and museums, which, at this moment, make London very attractive. But my philosopher was not contented. Art and high art' is a favorite target for his wit. "Yes, Kunst is a great delusion, and Goethe and Schiller wasted a great deal of good time on it: "— and he thinks he discovers that old Goethe found this out, and, in his later writings, changed his tone. As soon as men begin to talk of art, architecture and antiquities, nothing good comes of it. He wishes to go through the British Museum in silence, and thinks a sincere man will see something and say nothing. In these days, he thought, it would become an architect to consult only the grim necessity, and say, 'I can build you a coffin for such dead persons as you are, and for such dead purposes as you have, but you shall have no ornament.' For the science, he had if possible even less tolerance, and compared the savans of Somerset House to the boy who asked Confucius "how many stars in the sky?" Confucius replied, "he minded things near him :" then said the boy, "how many hairs are there in your eyebrows?" Confucius said, " he did n't know and did n't care."

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