 | David Simpson - 1988 - 468 pages
...from symbolic to classical art we considered the transitional forms of image, simile, epigram, etc.," so here in romantic art we have to make mention of a similar transitional form. In those earlier modes of treatment the chief thing was that inner meaning and external... | |
 | Marc Shell - 1993 - 264 pages
...remarks that "just as in the advance from symbolic to classical art we considered the ... epigram . . . , so here in romantic art we have to make mention of a similar transitional form. ... In this connection we may contrast such final blossomings of art with the old... | |
 | Kirk Pillow - 2003 - 400 pages
...from symbolic to classical art we considered the transitional forms of image, simile, epigram, etc., so here in romantic art we have to make mention of a similar transitional form" (LFA 608; 14:239).'-"' What Hegel will call "objective humor" brings together the... | |
 | 308 pages
...from symbolic to classical art we considered the transitional forms of image, simile, epigram, etc.,33 so here in romantic art we have to make mention of a similar transitional form. In those earlier modes of treatment the chief thing was that inner meaning and external... | |
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... inner contingency, in humour. Now, finally, still within the material indicated above, we may draw attention to a coalescence of these extremes of romantic art. In other words, just as in the advance from symbolic to classical art we considered the... 