The Complete Works of Ralph Waldo EmersonРипол Классик - 1041 pages |
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Page xi
... written in great part long before, had never been published : and, further, of the state of the manuscripts, which consisted of loose sheets, laid together in parcels, each marked on the cover with the title under which it was last ...
... written in great part long before, had never been published : and, further, of the state of the manuscripts, which consisted of loose sheets, laid together in parcels, each marked on the cover with the title under which it was last ...
Page xii
... much) over the work wasspent in searching his note~books, new and old, for fresh matter that might be introduced with advantage. In this way it happened sometimes that writing of very difl'erent dates xii PREFACE TO FIRST EDITION.
... much) over the work wasspent in searching his note~books, new and old, for fresh matter that might be introduced with advantage. In this way it happened sometimes that writing of very difl'erent dates xii PREFACE TO FIRST EDITION.
Page xiii
Ralph Waldo Emerson. way it happened sometimes that writing of very difl'erent dates was brought together: e. g., the ... written fifty years apart from each other. Then, as to the selection of the essays, there were, it is true, lists ...
Ralph Waldo Emerson. way it happened sometimes that writing of very difl'erent dates was brought together: e. g., the ... written fifty years apart from each other. Then, as to the selection of the essays, there were, it is true, lists ...
Page 30
... , as in Lear and Macbeth, and the opening of the Merchant of Venice. All writings must be in a degree exoteric, written to a human should or would, instead of to the fatal is .- this holds even of the 3o POETRY AND IMAGINATION.
... , as in Lear and Macbeth, and the opening of the Merchant of Venice. All writings must be in a degree exoteric, written to a human should or would, instead of to the fatal is .- this holds even of the 3o POETRY AND IMAGINATION.
Page 42
... is organic. We cannot know things by words and Writing, but only by taking a central position in the universe and living in its forms. We sink to rise :— " None any work can frame, Unless himself become the 42 POETRY AND IMAGINATION.
... is organic. We cannot know things by words and Writing, but only by taking a central position in the universe and living in its forms. We sink to rise :— " None any work can frame, Unless himself become the 42 POETRY AND IMAGINATION.
Contents
3 | |
77 | |
ELOQUENCE | 118 |
RESOURCES | 137 |
THE COMIC | 172 |
PROGRESS OF CULTURE | 205 |
PERSIAN POETRY | 235 |
IMMORTALITY | 321 |
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appears beauty becomes beginning believe better body called carry character comes conversation course delight earth Emerson England essay existence experience expression face fact feel find first force genius give given Hafiz hand hear heard heart hold hope hour human imagination immortality inspiration intellect interest Italy journal king knowledge laws learned lecture less light lines live look manners matter means mind moral Nature never once original Page pass passage Persian persons poem poet poetry present rhyme seems seen sense sentence sentiment society sometimes song soul speak speech spirit suggested tell things thou thought tion true truth universal verse virtue voice whole wise wish write written young