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Academy actual already American American painting appearance artist atmosphere attracted beauty became become born Boston brush called century CHAPTER character characteristic Collection colour composition decoration direction discovered distinction distinguished drawing early effect England example exhibited expression fact Farge feeling figure French George give hand human idea ideal illustration imagination important impression independent individual influence interest Italy John kind lack landscape latter learned less light lived look manner masses master material means method mind Moreover motive movement mural Museum nature objects observation original painter painting Paris Philadelphia picture portraits possible present principles realised regard rendering represented result scene seen sense skill spirit story suggestion technical things Thomas thought tion tones true truth Washington West whole York
Page 288 - ... riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us - then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone,...
Page 288 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens...
Page 6 - O sinner! consider the fearful danger you are in: it is a great furnace of wrath, a wide and bottomless pit, full of the fire of wrath, that you are held over in the hand of that God, whose wrath is provoked and incensed as much against you, as against many of the damned in hell : you hang by a slender thread, with the flames of divine wrath flashing about it, and ready every moment to singe it, and burn it asunder...
Page 288 - Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful — as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony.
Page 32 - To promote the cultivation of the Fine Arts, in the United States of America, by introducing correct and elegant copies from works of the first Masters in Sculpture and Painting, and by thus Facilitating the access to such Standards, and also by occasionally conferring moderate but honourable premiums, and otherwise assisting the Studies and exciting the efforts of the Artists gradually to unfold, enlighten, and invigorate the talents of our Countrymen.
Page 6 - ... soul; and you will absolutely despair of ever having any deliverance, any end, any mitigation, any rest at all; you will know certainly that you must wear out long ages, millions of millions of ages, in wrestling and conflicting with this almighty, merciless vengeance; and then when you have so done, when so many ages have actually been spent by you in this manner, you will know that all is but a point to what remains.
Page 154 - ... been deposited in patterns. I also painted the glass very much and carefully in certain places ; so that in a rough way this window is an epitome of all the varieties of glass that I have seen used before or since.
Page 42 - features in his face totally different from what he had observed in any other human being; the sockets of the eyes, for instance, were larger than what he ever met with before, and the upper part of the nose broader. All his features were indicative of the strongest passions; yet, like Socrates, his judgment and great self-command made him appear a man of a different cast in the eyes of the world.