The New Spirit

appears artist attitude beauty become body brought called carried century chief child Christianity death decadent delight Diderot dramas early element emotional energy English equally experiences expression eyes face fact faith feel forces give hand Heine human Huysmans Ibsen ideal ideas imagination impressions individual influence instincts interesting Italy land later less light live look marked means ment moral nature never novel once organization passed perhaps period play possible practical present produced question race reached realize religion religious represents rest revealed Russian scarcely scientific seems sense side significance social society sometimes soul speak spirit stand strong style things thought tion to-day Tolstoi touch true turn vision Whitman whole woman women writes wrote young youth