Drawing Distinctions: The Varieties of Graphic Expression

actions Aesthetics Albrecht Dürer argued Art and Illusion artists aspects basic called Cambridge cartoon cast shadow Cézanne chapter Chauvet Cave conception consider contour contour lines criticism depiction depth depth-slices devices diagram dimensional distinction drafters drawn Dürer E. H. Gombrich edges effects enclosures environmental Erwin Panofsky example experience facture figure forms function graphic Harold Speed idea images imagine important indicated Kendall Walton kind of drawing Leonardo light linear perspective lines London look marks means Michelangelo Mimesis modern Museum nature Nelson Goodman objects occluding outline painting Panofsky Panofsky's perceiving perception Phaidon Philosophical picture plane Podro primitives Principle projection Rawson recognition regarding remarks Rembrandt Renaissance repr Richard Wollheim Saint Jerome Saul Steinberg scene sense shading shapes space spatial spective strokes suggest surface techniques theoretical theory things tion tive topic topological ture University Press vision visual Walton Willats Wollheim York