T.S. Eliot and the Language of PoetryAkadémiai Kiadó, 1989 - 149 pages |
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Ady Endre Akadémiai Kiadó artistic aspects attempt Bacon Barfield Budapest clear and distinct cognitive concern connection context Csokonai diaphoric discourse dissociation of sensibility Donne Dryden earlier Eliot's critical Eliot's ideas Eliot's theory Elizabethan English poetry everyday F. H. Bradley F. R. Leavis F. W. Bateson faculties fancy feeling function Gondolat Grierson guage Hobbes Hungarian I. A. Richards ibid ideal of language images imagination important intellectual Kermode kind L. C. Knights Lancelot Andrewes language of poetry later least linguistic literal literary literature Locke's logical London meaning metaphor Metaphysical Poets Milton modern modes noted nyelv object period poem poetic language Poetry and Poets prose pseudo-statements R. P. Blackmur referential Renaissance Romanticism scientific seems sense sensuous seventeenth century Shakespeare Shelley statement Swinburne T. E. Hulme T. S. Eliot things thinking thought tion traditional truth Tuve Tuve's twentieth-century unified sensibility verse words