Edith Wharton and the Conversations of Literary ModernismPalgrave Macmillan, 2008 M04 15 - 208 pages This study imagines modernism as a series of conversations and locates Edith Wharton’s voice in those debates. |
Contents
Impressionism in The Reef | 21 |
War Art and Civilization | 101 |
Marriage | 131 |
Copyright | |
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affair Age of Innocence Alan Price Almodham American Anna Anna's argues artist becomes behavior Beinecke believes Betton birth control Brant Campton characters Charity's civilization Clephane critics culture Culwin Darrow desire Dexter divorce Edith Wharton ellipses in original emotional emphasis in original experience eyes Faxon feels female Fiction finds Front gender George George's girl Gods Arrive Granice Granice's Greer Halo Halo's Harney Harney's homosocial House of Mirth Hudson River Bracketed human husband Impressionism Impressionist individual Julia Kate Laura Lou Lewis and Lewis Lewis Letters Lilla Lily Lily's Lita literary literature living look male narrators marriage marry masculinity Medford modern modernist moral Morton Fullerton mother narrative neo-Impressionism novel pain Paris Pauline Pauline's points prostitution R. W. B. Lewis reader Reef relationship reveals seems social society Sophy Sophy's suggests Summer tion Twilight Sleep understand University Press Vance Vance's white slavery woman women writing York young