Genders, Races, and Religious Cultures in Modern American Poetry, 1908-1934

Front Cover
Cambridge University Press, 2001 M01 11 - 238 pages
0 Reviews
Reviews aren't verified, but Google checks for and removes fake content when it's identified
In Genders, Races and Religious Cultures in Modern American Poetries, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates and ideologies concerning New Woman, New Negro and New Jew in the early twentieth century. From the poetic text emerge such social issues of modernity as debates on suffrage, sexuality, manhood, and African-American and Jewish subjectivities. By a reading method she calls 'social philology' - a form of close reading inflected with the approaches of cultural studies - Duplessis engages with the work of such canonical poets as Wallace Stevens, Ezra Pound, T.S. Eliot, William Carlos Williams, Gertrude Stein, Marianne Moore and H.D., as well as Mina Loy, Countee Cullen, Alfred Kreymborg and Langston Hughes, writers, she claims, still marginalized by existing constructions of modernism. This book is an ambitious attempt to remap our understanding of modern poetries and poetics, and the relationship between early twentieth-century writing and society.
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Entitled new a social philology of modern American poetry
1
Corpses of poesy modern poets consider some gender ideologies of lyric
29
Seismic orgasm sexual intercourse its modern representations and politics
52
HOO HOO HOO some episodes in the construction of modern male whiteness
81
Darken your speech racialized cultural work in black and white poets
106
Wondering Jews meltingpots and mongrel thoughts
135
Notes
175
Works Cited
204
Index
228
Copyright

Other editions - View all

Common terms and phrases

About the author (2001)

Rachel Blau DuPlessis is Professor of English at Temple University in Philadelphia. She is the author of Writing Beyond the Ending (1985), H.D.: The Career of that Struggle (1986), The Pink Guitar: Writing as Feminist Practice (1990), she is also editor of The Selected Letters of George Oppen (1990), and co-editor of both The Objectivist Nexus: Essays in Cultural Poetics (1999) and The Feminist Memoir Project (1998). She is also a widely published poet.

Bibliographic information