The International Studio, Volume 48Charles Holme, Guy Eglington, Peyton Boswell, William Bernard McCormick, Henry James Whigham Offices of the International Studio, 1912 |
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Academy admirable æsthetic American ANDERS ZORN architect architecture artist Arts and Crafts beauty Brangwyn canvas century character charm colour composition DAVID MUIRHEAD decorative display drawing Dutch effect embroidery English English Art Club Ernest Brown etchings examples excellent executed exhibition expression feeling Fernand Khnopff figures Frank Brangwyn Gallery garden Gari Melchers GEORGE SHERINGHAM give Hakubakai HAROLD KNIGHT illustrations interesting interior INTERNATIONAL STUDIO Japanese John Lavery JOHN RUSSELL POPE JOSEPH PENNELL JURRES Khnopff landscape landscape art Lanteri LAURA KNIGHT London MAIHAUGEN MAIHAUGEN OPEN-AIR MUSEUM master ment method Miss modern Mrkvitchka Muirhead National nature never Oil Painting original painter panels Paris pastel PHILIP CONNARD piece plates portrait present prints produced Prof recent represented reproduced Rousseau Royal Salon scenes sculpture shown Society spirit stue style tapestries technical things tion tone walls water-colours wood York young
Popular passages
Page 261 - Wir wissen von keiner Welt als im Bezug auf den Menschen; wir wollen keine Kunst, als die ein Abdruck dieses Bezugs ist.
Page iii - Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.
Page 266 - One can hardly imagine how it was possible, with simple threads, to produce such delicacy in the hair and beards, and to express the suppleness of flesh. It is a work more God-like than human ; the waters, the animals, and the habitations, are so perfectly represented, that they appear painted with a brush, and not woven.
Page 176 - HARK, hark, The dogs do bark, Beggars are coming to town ; Some in jags, Some in rags, And some in velvet gowns.
Page xviii - This book conceives of the art of each epoch as a peculiar beauty of line, spacing, and color which could have been produced at no other time, and which permeates all the industries of its day.
Page 184 - I had — but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor...
Page v - Out from the heart of nature rolled The burdens of the Bible old; The litanies of nations came, Like the volcano's tongue of flame, Up from the burning core below, The canticles of love and woe.
Page 81 - ... usual summer vacation, and we are requested to state that some of the free studentships maintained by means of funds granted to the school by the London County Council are vacant. The day classes of the school are held from...
Page 262 - Fables. A new Translation by VS Vernon Jones. With an Introduction by GK Chesterton and Illustrations in color and in black and white by Arthur Rackham.
Page 180 - In demy 8vo, cloth gilt, 586 pp., 7s. 6d. net. THE PRINCIPLES OF ADVERTISING ARRANGEMENT. By FA PARSONS, President of the New York School of Fine and Applied Art. Size 7 in. by 10J in., cloth, 128 pp., with many illustrations, 6s.