This book conceives of the art of each epoch as a peculiar beauty of line, spacing, and color which could have been produced at no other time, and which permeates all the industries of its day. The International Studio - Page xviiiedited by - 1912Full view - About this book
| 1912 - 558 pages
...Oriental toplos and travelers In Asia. Its treatment of the subject is novel In several respects. . . . This book conceives of the art of each epoch as a peculiar beauty of line, spacing and color whic'.i could have been produced at no other time, and which permeates all the Industry of Its day.... | |
| 1911 - 426 pages
...Oriental topics and travellers in Asia. lts treatment of the subject is novel in several respects. lt conceives of the art of each epoch as a peculiar beauty...color which could have been produced at no other time. lnternationsl Studio. Furst, HEA lndividuality and art. 1912. 701 F98 What appears at first sight to... | |
| Bernard Smith - 1998 - 396 pages
...aesthetic. Like Wölfflin he structured his enquiry within a stylistic unity of epochs, conceiving 'the art of each epoch as a peculiar beauty of line, spacing and colour which could have been produced at no other time and which permeates all the industries of its... | |
| David Carrier - 2006 - 334 pages
...period and describe it."83 Earlier accounts looked at the materials of Asian art. By contrast, Fenollosa "conceives of the art of each epoch as a peculiar beauty of line, spacing, and colour which could have been produced at no other time."84 Nowadays most histories of Japanese and... | |
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