Melville's Clarel and the Intersympathy of CreedsKent State University Press, 2004 - 240 pages "If ever this dreadful incubus of a book [Clarel] (I call it so because it has undermined all our happiness) gets off Herman's shoulders I do hope he may be in better mental health--but at present I have reason to feel the gravest concern & anxiety about it--to put it in mild phrase."--Letter from Elizabeth Melville to Catherine Gansevoort, 1876 Clarel, an 18,000-line poem, is one of the longest examples of the "faith-doubt" genre that arose in Victorian times and one that has largely been ignored by Melville critics. Author William Potter argues that Melville's poem Clarel is actually a study in comparative religion--one that explores faith in the post-Darwinian age. It was written at a crossroads in Western thought, when science, technology, nationalism, and imperialism were reshaping the world, and in the process ushered in the modern age. Potter proposes that the poem explains that science may have altered our perception of the world, but it cannot eradicate the basic human need for faith, which is timeless and therefore encompasses far more than the concerns of Western Christianity. In Melville's Clarel and the Intersympathy of Creeds, Potter examines the poem within a historical context and by so doing attempts to resolve some of the issues critics have asserted the poem presents. He reviews the burgeoning field of comparative religion in the eighteenth and nineteenth centuries and includes discussions of many of the theories and ideas of well-known figures of the time, such as Hegel, Hume, Müller, Emerson, Whitman, and Schopenhauer. Potter attempts to account for the huge abundance of non-Christian material that appears in the poem. He maintains that Melville answers the nineteenth-century questions of faith through the heterodoxical themes and ideas shared by all religions that lie beneath their very different doctrines--redemptive suffering, the tempered heart, and the aversion to worldliness. Melville's Clarel and the Intersympathy of Creeds will entice Melville scholars and is a much-anticipated critical study of the literature. |
From inside the book
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Page xx
... means of discerning the “ intersympathy of creeds ” ) and the corresponding ascent of het- erodoxy ; what I call the " tempered heart " theme , which involves the believer's encounter with the physical world and its corollary , which is ...
... means of discerning the “ intersympathy of creeds ” ) and the corresponding ascent of het- erodoxy ; what I call the " tempered heart " theme , which involves the believer's encounter with the physical world and its corollary , which is ...
Page 99
... means to endure the tribulations of the world . Thus , in answering Derwent's charges against the Catholic Church , the Dominican priest whom the pilgrims encoun- ter at the river Jordan argues : Crafty is Rome , you deem ? Her art Is ...
... means to endure the tribulations of the world . Thus , in answering Derwent's charges against the Catholic Church , the Dominican priest whom the pilgrims encoun- ter at the river Jordan argues : Crafty is Rome , you deem ? Her art Is ...
Page 167
... mean when he says that Arabs are " more reflective , more religious , and with a thirst for knowl- edge ” ( 453 ) ... means to greatly broaden the poem's religious discussion.3 Some critics have seen Clarel as Melville's response to ...
... mean when he says that Arabs are " more reflective , more religious , and with a thirst for knowl- edge ” ( 453 ) ... means to greatly broaden the poem's religious discussion.3 Some critics have seen Clarel as Melville's response to ...
Contents
Clarel and NineteenthCentury Comparative Religion | 3 |
Melville as Comparative Religionist | 10 |
NineteenthCentury Comparative Religion | 20 |
Copyright | |
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Common terms and phrases
actually American appear argues aspects becomes beginning belief called canto characters Christ Christian Church civilization Clarel Clarke comparative religious concerning Confidence-Man contrast creeds critics cultural death debate depicted Derwent described discussion divine doctrine doubt earlier emphasis encounter essential example experience fact faith feel figures finally further Greek heart historical Holy human idea important influence Islam Jerusalem Jewish kind Land later less living major material means Melville Melville's mind Müller mystery narrator Nathan nature nineteenth century Note observes original orthodoxy perhaps philosophical pilgrims poem poem's political position present progress Protestant Protestantism questions reading reason regard relationship religion religious respect rhetorical Rolfe Ruth says seems sense serves significant similar specific spiritual suffering suggests symbolic tempered heart theme things thought throughout tion true truth turn Ungar University Vine Wandering Jew Western writes
References to this book
The Romance of the Holy Land in American Travel Writing, 1790-1876 Brian Yothers Limited preview - 2007 |