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QUAKERDOM.

THE FORMAL CALL.

THROUGH her forced, abnormal quiet

Flashed the soul of frolic riot,

And a most malicious laughter lighted up her And the stately mother found us prim enough to

downcast eyes;

All in vain I tried each topic,

Ranged from polar climes to tropic,

Every commonplace I started met with yes-or

no replies.

For her mother

stiff and stately,

As if starched and ironed lately

Sat erect, with rigid elbows bedded thus in curv ing palms;

There she sat on guard before us,

And in words precise, decorous,

And most calm, reviewed the weather, and recited several psalms.

How without abruptly ending
This my visit, and offending

Wealthy neighbors, was the problem which em

ployed my mental care;

When the butler, bowing lowly,
Uttered clearly, stiffly, slowly,

"Madam, please, the gardener wants you,"

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Heaven, I thought, has heard my prayer.

"Pardon me!" she grandly uttered;
Bowing low, I gladly muttered,

'Surely, madam!" and, relieved, I turned to

When the noonday woods are ringing,

All the birds of summer singing,

Suddenly there falls a silence, and we know a

serpent nigh:

So upon the door a rattle

Stopped our animated tattle,

scan the daughter's face:

Ha! what pent-up mirth outflashes
From beneath those pencilled lashes !

How the drill of Quaker custom yields to Na-
ture's brilliant grace.

Brightly springs the prisoned fountain
From the side of Delphi's mountain

When the stone that weighed upon its buoyant
life is thrust aside;

So the long-enforced stagnation
Of the maiden's conversation

Now imparted five-fold brilliance to its ever-
varying tide.

Widely ranging, quickly changing,
Witty, winning, from beginning

Unto end I listened, merely flinging in a casual
word;

Eloquent, and yet how simple!
Hand and eye, and eddying dimple,
Tongue and lip together made a music seen as
well as heard.

suit her eye.

CHARLES G. HALPINE.

THE CHESS-BOARD,

My little love, do you remember,

Ere we were grown so sadly wise, Those evenings in the bleak December, Curtained warm from the snowy weather, When you and I played chess together, Checkmated by each other's eyes?

Ah! still I see your soft white hand Hovering warm o'er Queen and Knight;

Brave Pawns in valiant battle stand; The double Castles guard the wings; The Bishop, bent on distant things, Moves, sidling, through the fight.

Our fingers touch; our glances meet,
And falter; falls your golden hair

Against my cheek; your bosom sweet
Is heaving. Down the field, your Queen
Rides slow, her soldiery all between,
And checks me unaware.

Ah me! the little battle's done :
Disperst is all its chivalry.
Full many a move since then have we
Mid life's perplexing checkers made,
And many a game with fortune played;
What is it we have won?

This, this at least, if this alone:

That never, never, nevermore,
As in those old still nights of yore,
(Ere we were grown so sadly wise,)
Can you and I shut out the skies,
Shut out the world and wintry weather,

And eyes exchanging warmth with eyes,
Play chess, as then we played together.

ROBERT BULWER LYTTON

WHEN YOUR BEAUTY APPEARS.

"WHEN your beauty appears,
In its graces and airs,

All bright as an angel new dropt from the skies
At distance I gaze, and am awed by my fears
So strangely you dazzle my eyes I

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SLY THOUGHTS.

"I SAW him kiss your cheek !”. ""T is true.

"O Modesty !". "Twas strictly kept: He thought me asleep; at least, I knew He thought I thought he thought I slept."

THE KISS.

COVENTRY PATMORE.

1. AMONG thy fancies tell me this: What is the thing we call a kiss?

2. I shall resolve ye what it is:

It is a creature born and bred Between the lips all cherry red, By love and warm desires fed; Chor. And makes more soft the bridal bed.

It is an active flame, that flies
First to the babies of the eyes,

And charms them there with lullabies Chor. And stills the bride too when she cries.

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Chor. And here, and there, and everywhere.

1. Has it a speaking virtue?
1. How speaks it, say?-2.

Part your joined lips,

kiss ;

2. Yes. Do you but this:

then speaks your

Chor. And this love's sweetest language is.

1. Has it a body? 2. Ay, and wings,
With thousand rare encolorings;
And as it flies it gently sings;

Chor. Love honey yields, but never stings.

ROBERT HERRICK.

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Ne'er a ane hae I;

Yet a' the lads they smile at me
When comin' through the rye.
Amang the train there is a swain
I dearly lo'e mysel’;

But whaur his hame, or what his name,
I dinna care to tell.

Adapted by BURNS.

KITTY OF COLERAINE.

As beautiful Kitty one morning was tripping With a pitcher of milk, from the fair of Coleraine, When she saw me she stumbled, the pitcher it tumbled,

And all the sweet buttermilk watered the plain.

"O, what shall I do now?'t was looking at you

now!

Sure, sure, such a pitcher I 'll ne'er meet again! 'T was the pride of my dairy: O Barney M'Cleary! You're sent as a plague to the girls of Coleraine."

I sat down beside her, and gently did chide her, That such a misfortune should give her such pain. A kiss then I gave her; and ere I did leave her, She vowed for such pleasure she'd break it again.

'T was hay-making season - I can't tell the rea

son

Misfortunes will never come single, 't is plain; For very soon after poor Kitty's disaster The devil a pitcher was whole in Coleraine.

CHARLES DAWSON SHANLY.

THE DULE'S I' THIS BONNET O' MINE

YORKSHIRE DIALECT.

THE dule 's i' this bonnet o' mine:
My ribbins 'll never be reet;
Here, Mally, aw 'm like to be fine,
For Jamie 'll be comin' to-neet;
He met me i' th' lone t' other day

(Aw wur gooin' for wayter to th' well), An' he begged that aw 'd wed him i' May, Bi th' mass, if he'll let me, aw will!

When he took my two honds into his,

Good Lord, heaw they trembled between! An' aw durst n't look up in his face, Berose on him seein' my e'en.

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