| Mihai Spariosu - 1984 - 230 pages
...paradigm, inadvertently reinforces some of the neoconservative stereotypes about innovative art, see Andreas Huyssen, After the Great Divide: Modernism,...Mass Culture, Postmodernism (Bloomington: Indiana Univ. Press, 1986), pp. 174-177, 199-206. 11. Aldridge, The American Novel and the Way We Live Now,... | |
| Cornel West - 1989 - 292 pages
...Foster (Port Townsend: Bay Press, 1983); Hal Foster, Recodings: Art, Spectacle, Cultural Politics; Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism (Bloomington: Indiana University Press, 1986); Fredric Jameson, "Postmodernism, or the Cultural Logic of Late Capitalism," New Left Review (July-August... | |
| Patricia Erens - 1990 - 492 pages
...Huyssen, "Mapping the Postmodern," New German Critique, no. 33 (Fall 1984): 5—52, now reprinted in Huyssen, After the Great Divide: Modernism, Mass Culture,...Postmodernism, Bloomington: Indiana University Press (1986). 24. Borden's nonprofessional actors, as well as her characters, are very much part of the film's intended... | |
| James Naremore - 1991 - 294 pages
...See our "Risky Business: Familial Ideology and the Case of Baby M," Differences (1989): 67-81. 35. Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism (Bloomington: Indiana University Press, 1986), 58. 36. Ibid., 62. 37. Fredric Jameson, "Pleasure: A Personal Issue," in Formations of Pleasure (Boston:... | |
| Marianne DeKoven - 1991 - 268 pages
...Press, 1 985); Astradur Eysteinsson, The Concept of Modernism (Ithaca: Cornell University Press, 1991); Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism (Bloomington: Indiana University Press, 1986); Hugh Kenner, A Homemade World: The American Modernist Writers (New York: Morrow, 1975); Kenner, The... | |
| Mary Ann Doane - 1991 - 324 pages
...Film," in Ophuls, ed. Paul Willemen (London: British Film Institute, 1978) 43, 44. 2. Ophuls 45. 3. See Andreas Huyssen, After the Great Divide: Modernism,...Mass Culture, Postmodernism (Bloomington: Indiana UP, 1986) 3-15. 4. Claude Beylie, Max Ophuls (Paris: Editions Pierre Lherminier, 1984) 6. (My translation)... | |
| James Schwoch, Mimi White, Miriam White, Susan Reilly - 1992 - 208 pages
...Critical Approaches to Mass Culture, (Bloomington: Indiana University Press, 1986), p. 167-187; and Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism, (Bloomington: Indiana University Press, 1986). 6. de Certeau, L'Ecriture; Jane Feuer, "The Concept of Live Television: Ontology as Ideology," in E.... | |
| David Savran - 1992 - 220 pages
...noted in the text. For an incisive critique of the elitism and conservatism of Barthes's volume, see Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism (Bloomington: Indiana University Press, 1986). 209-13. 125. Tennessee Williams, "Sand," in Collected Stories. 54-55. 126. Tennessee Williams, "Desire... | |
| Lynn Spigel, Denise Mann - 1992 - 318 pages
...1986), p. 82. 2. Mulvey, p. 82. 3. For a discussion of postmodernism, nostalgia, and tradition, see Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism (Bloomington: Indiana University Press, 1986). Huyssen mentions the relationship of postmodernism to the "emergence of various forms of 'otherness,'... | |
| Nicholas B. Dirks - 1992 - 420 pages
...Pennsylvania, held a year-long seminar entitled "Orientalism and Beyond: Perspectives from South Asia." 44. Andreas Huyssen, After the Great Divide: Modernism,...Postmodernism (Bloomington: Indiana University Press, 1986), 206-16. 45. Andrew Ross, "Introduction," in Universal Abandon? The Politics of Postmodernism, ed. Andrew... | |
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