Musical Meaning: Toward a Critical History

Front Cover
Univ of California Press, 2021 M06 22 - 352 pages
Ranging widely over classical music, jazz, popular music, and film and television music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances. Lawrence Kramer has been a pivotal figure in the development of new resources for understanding music. In this accessible and eloquently written book, he argues boldly that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. He demonstrates that thinking about music can become a vital means of thinking about general questions of meaning, subjectivity, and value.
 
First published in 2001, Musical Meaning anticipates many of the musicological topics of today, including race, performance, embodiment, and media. In addition, Kramer explores music itself as a source of understanding via his composition Revenants for piano, revised for this edition and available on the UC Press website.
 
 

Contents

and the Birth of Sex at the Piano
29
An Essay on Songfulness
51
The Marx Brothers A Night at the Opera
133
Mixed Media and Musical Meaning
145
Musical Meaning and Mixed Media
173
Jazz and the Blues in Modern
194
The Alienation Effect
216
Coltranes American Songbook
242
Cultural Memory Mourning
258
194
324
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About the author (2021)

Lawrence Kramer, Distinguished Professor of English and Music at Fordham University, is an award-winning composer and the author of fifteen previous books, including The Thought of Music, which won the 2017 ASACP Virgil Thomson Award for Outstanding Music Criticism, and most recently, The Hum of the World: A Philosophy of Listening.

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