The School of HawthorneOxford University Press, 1990 M02 22 - 267 pages In The School of Hawthorne, Brodhead uses Hawthorne as a prime example of how literary traditions are made, not born. Under Brodhead's scrutiny, the Hawthorne tradition opens out onto a wide array of subjects, many of which have received little previous attention. He offers a detailed account of Hawthorne's life in American letters, showing how authors as varied as Melville, Howells, James, and Faulkner have learned from Hawthorne's model while all the while changing the terms in which he has been read. As he traces Hawthorne's continued life among his heirs, Brodhead also reflects on the ways in which writers receive and resist official tradition, how their work is conditioned by the institutionalized pasts that surround them, and how they go about creating new traditions to counter existing ones. An important contribution to literary history, The School of Hawthorne also establishes new ways in which literary history itself can be understood. |
Contents
3 | |
Hawthorne Melville and the Fiction of Prophecy | 17 |
Manufacturing You Into a Personage Hawthorne the Canon and the Institutionalization of American Literature | 48 |
Late Hawthorne or The Woes of the Immortals | 67 |
Howells Literary History and the Realist Vocation | 81 |
Henry James Tradition and the Work of Writing | 104 |
James in the Beginning | 121 |
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Ahab American literary American literature American Writers artistic Atlantic authorship Balzac becomes Blithedale Romance Bostonians canon career century chapter character classic critical cultural Duyckinck earlier early Eliot essay establish experience expression Faulkner fiction Fields Fields's figure gives Golden Bowl Hawthorne Hawthorne's Hawthornesque Henry James Herman Melville Hester Hilda Howells Howells's idea imaginative institutions Jamesian kind later Light in August literary past literature's living Maggie Marble Faun Mardi master Melville Melville's Moby-Dick Modern Instance moral Mosses Nathaniel Hawthorne nineteenth nineteenth-century novel numbers organization passion Pierre political present Princess Casamassima produced prophetical prose published readers realism reality relation Roderick Hudson Scarlet Letter Scudder sense Seven Gables shows social sphere story structure style T. S. Eliot things thorne thorne's tion tradition truth University Press Verena William Dean Howells writing York Zenobia