The Situation of Poetry: Contemporary Poetry and Its Traditions

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Princeton University Press, 1978 M10 21 - 187 pages

In this book Robert Pinsky writes about contemporary poetry as it reflects its modernist and Romantic past. He isolates certain persistent ideas about poetry's situation relative to life and focuses on the conflict the poet faces between the nature of words and poetic forms on one side, and the nature of experience on the other.



The author ranges for his often surprising examples from Keats to the great modernists such as Stevens and Williams, to the contents of recent magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg, Lowell, Merwin, O'Hara, and younger writers, offering judgments and enthusiasms from a viewpoint that is consistent but unstereotyped.



Like his poetry, Robert Pinsky's criticism joins the traditional and the innovative in ways that are thoughtful and unmistakably his own. His book is a bold essay on the contemporary situation in poetry, on the dazzling achievements of modernism, and on the nature or "situation" of poetry itself.

 

Selected pages

Contents

INTRODUCTION
3
EXAMPLES
6
VOICES
13
II LOWELL
16
III BERRYMAN
23
IV HARDY RANSOM BERRYMAN
29
THE ROMANTIC PERSISTENCE
47
THE TERM THE MOST OF IT AND THE SNOW MAN
61
SOME CONTEMPORARIES
104
ORCHIDS BADGER AND POPPIES IN JULY
118
THE DISCURSIVE ASPECT OF POETRY
134
II AMMONS
144
III McMICHAELS ITINERARY
156
IV POETIC DICTIONS AND PROSE VIRTUES
162
V FINAL REMARKS
169
NOTES
177

III GENERALITIES
74
IV CONTEMPORARY
87
CONVENTIONS OF WONDER
97
CREDITS
183
INDEX
187
Copyright

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About the author (1978)

Robert Pinsky was born in Long Branch, New Jersey, and studied at Rutgers and Stanford Universities. He has taught at the University of Chicago, Wellesley College, and the University of California, Berkeley. For several years the poetry editor of The New Republic, he has won the Oscar Blumenthal Prize (1978) and Woodrow Wilson and Fulbright grants. His book of criticism, The Situation of Poetry: Contemporary Poetry and Its Traditions (1976), is referred to often. He has argued for, and written, a poetry of discursiveness, one that can treat abstract thought and social reality as well as subjectivity and deep emotion.

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