 | 1818 - 764 pages
...on all around it. It suggests forms and feelings, chiefly as they suggest other forms and feelings. The poetical impression of any object is, that uneasy,...power, that cannot be contained within itself, that strives to link ilself to some other object of kindred beauty or grandeur; to enshrine itself in the... | |
 | 1818 - 782 pages
...on all around it. It suggests forms and feelings, chiefly as they suggest other forms and feelings. The poetical impression of any object is, that uneasy,...power, that cannot be contained within itself, that strives to link ilself to some other object of kindred beauty or grandeur; to enshrine itself in the... | |
 | John Edward Taylor - 1840 - 182 pages
...signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power which cannot be contained within itself; that is impatient of all limit ; that strives to link itself... | |
 | William Hazlitt - 1845 - 510 pages
...signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy,...flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of... | |
 | John Armstrong, John Dyer, George Gilfillan, Matthew Green - 1858 - 314 pages
...supernatural messenger. With another it is " the highest eloquence of fancy and feeling," or, more fully, " that uneasy, exquisite sense of beauty or power that cannot be contained within itself, but strives to link itself to some other object of kindred beauty or grandeur — to enshrine itself... | |
 | William Hazlitt - 1876 - 474 pages
...signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy,...within itself, that is impatient of all limit, that (os flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur,... | |
 | John Armstrong (Physician & Poet.) - 1880 - 692 pages
...supernatural messenger. With another it is " the highest eloquence of fancy and feeling," or, more fully, " that uneasy, exquisite sense of beauty or power that cannot be contained within itself, but strives to link itself to some other object of kindred beauty or grandeur — to enshrine itself... | |
 | William Hazlitt - 1889 - 586 pages
...signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy,...flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur, to enshrine itself, as it were, in the highest forms of... | |
 | Charles Edwyn Vaughan - 1896 - 330 pages
...signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy,...flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur, to enshrine itself, as it were, in the highest forms of... | |
 | William Hazlitt - 1901 - 320 pages
...signifies the excess of the imagination beyond the actual or or dinary impression of any object or feeling. The poetical impression of any object is that uneasy,...flame bends to flame) strives to link itself to some 10 other image of kindred beauty or grandeur, to enshrine itself, as it were, in the highest forms... | |
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The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself... 
