The Music of Space: How Production Style Affects the Movement of Light in Theatrical ProductionsUniversity of Wisconsin--Madison, 2002 - 114 pages |
Common terms and phrases
actors Adolphe Appia Alexander Cornia allowed altering light levels appearance of movement Argand burner audience automated fixtures Bablet beach began blackout Brockett Cassandra center stage characters color Copland costumes create a sense cueing daylight dimmers director's concept Domer Edward Gordon Craig effect electric light emotional Essig Eugenia focus Forgotten Room Georgina Greek Hecuba illumination instruments introduced Iris Japanese theatre Library System University light became Light Console light on stage Light Plot lighting created lighting design lighting movement limelight Matternot McCandless melody Menelaus moved movement in light Nocturno Palmer past and present Penzel physical movement Pilbrow play poor theatre production style production team prologue properties of light puppet rhythm Savoy theatre scene shadows shift slowly Stanley McCandless Street Madison sunlight Talthybius tempo textured light theatre styles theatrical time-passage transition Trojan Women turntable types of movement University of Wisconsin-Madison upstage Vari-Lite white light William O'Dea