The Music of Space: How Production Style Affects the Movement of Light in Theatrical ProductionsUniversity of Wisconsin--Madison, 2002 - 114 pages |
Contents
The History of Movement in Theatrical Lighting | 8 |
Eugenia | 19 |
The School | 24 |
18 other sections not shown
Common terms and phrases
actors Adolphe Adolphe Appia Alexander Cornia altering light levels appearance of movement Appia audience automated fixtures Bablet beach began blackout Brockett button Cassandra center stage characters color consonance and dissonance Copland Craig create a sense cues daylight designed the lighting director director's concept Domer Edward Gordon Craig elements Eugenia faded Figure fire focus followed the boy Forgotten Room Georgina Greek Hecuba illuminated instruments introduced Iris Japanese theatre lamp light became light on stage Light Plot lighting created lighting design lighting movement limelight Matternot memory Menelaus monologue moved movement in light Mozart Nocturno Palmer past and present Penzel physical movement play poor theatre production style production team prologue puppet rhythm shadows shift slowly Street Madison sunlight Talthybius technical rehearsals textured light theatre styles theatrical time-passage transition Trojan Women turntable types of movement University of Wisconsin-Madison upstage Violet white light William O'Dea women of Troy