Elements of Elocution: In which the Principles of Reading and Speaking are Investigated ... with Directions for Strengthening and Modulating the Voice ... to which is Added a Complete System of the Passions, Showing how They Affect the Countenance, Tone of Voice, and Gesture of the Body : Exemplified by a Copious Selection of the Most Striking Passages of Shakespeare : the Whole Illustrated by Copper-plates Explaining the Nature of Accent, Emphasis, Inflection, and Cadence
D. Mallory & Company, 1810 - 379 pages
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accent admit adopt answer appear arises arrangement beginning body called comma commencing common concluding connected considered consists convey direct distinction distinguish emphasis emphatical emphatick example expressed eyes falling inflection force former give greater hand harmony idea importance inflection of voice instance interrogative kind latter less lower manner marked meaning mind modified nature necessarily necessary object observed opposition particular passage passion pause perceive perfect perhaps period person pleasure preceding principal produces pronounced pronunciation proper prose question reader reading reason requires rest rising inflection Rule seems sense sentence separated short single slide sometimes sound speaking Spectator stress suppose syllable taste tence thee thing thou thought tion tone tone of voice variety verb verse voice whole words writing
Page 324 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
Page 324 - If music be the food of love, play on; Give me excess of it: that surfeiting, The appetite may sicken, and so die.
Page 324 - I'd have you do it ever: when you sing, I'd have you buy and sell so; so give alms; Pray so ; and, for the ordering your affairs, To sing them too : When you do dance, I wish you A wave o...
Page 266 - OF Man's First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav'nly Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the Heav'ns and Earth Rose out of Chaos...
Page 351 - I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit...
Page 337 - I hold the world but as the world, Gratiano ; A stage where every man must play a part, And mine a sad one.
Page 295 - I had a thing to say, — but let it go : The sun is in the heaven, and the proud day, Attended with the pleasures of the world, Is all too wanton, and too full of gawds, To give me audience : — If the midnight bell Did, with his iron tongue and brazen mouth, Sound on into the drowsy race of night...
Page 362 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...