Rhyming dictionary for the use of young poets, with an essay on English versification [by T. Smibert].1852 |
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Page 8
... unaccented ) sylla- bles were rightly placed , and if the penultimate syllable , in particular , was short or unaccented . It is only to be observed further , that it is the sound in which uniformity is required , and not the spelling ...
... unaccented ) sylla- bles were rightly placed , and if the penultimate syllable , in particular , was short or unaccented . It is only to be observed further , that it is the sound in which uniformity is required , and not the spelling ...
Page 13
... six - syllabled measure , the brevity of the line confines the reader in a great degree to the ordinary rhythm , which consists of a short and long syllable alternately , or three unaccented and three ac- cented ENGLISH VERSIFICATION . 13.
... six - syllabled measure , the brevity of the line confines the reader in a great degree to the ordinary rhythm , which consists of a short and long syllable alternately , or three unaccented and three ac- cented ENGLISH VERSIFICATION . 13.
Page 14
Thomas Smibert. syllable alternately , or three unaccented and three ac- cented , yet , in Drayton's ode , though the lines cannot well exemplify the Pause , there is a slight variation in the seat of the Accent . " Shall we not touch ...
Thomas Smibert. syllable alternately , or three unaccented and three ac- cented , yet , in Drayton's ode , though the lines cannot well exemplify the Pause , there is a slight variation in the seat of the Accent . " Shall we not touch ...
Page 28
... 9 " Cut mercy with a sharp knife to the bone . " The strong effect of these lines arises from the accent being thrown on syllables usually short or unaccented in the deca - syllabic verse . This is a common stroke 28 ENGLISH VERSIFICATION .
... 9 " Cut mercy with a sharp knife to the bone . " The strong effect of these lines arises from the accent being thrown on syllables usually short or unaccented in the deca - syllabic verse . This is a common stroke 28 ENGLISH VERSIFICATION .
Page 45
... unaccented syllables , of exactly the same spell- ing , preceded by single rhymes of the most perfect class , " or those regarding which it was stated , that their perfect- ness lay in the consonants preceding the rhyming or ac- cented ...
... unaccented syllables , of exactly the same spell- ing , preceded by single rhymes of the most perfect class , " or those regarding which it was stated , that their perfect- ness lay in the consonants preceding the rhyming or ac- cented ...
Other editions - View all
Rhyming Dictionary for the Use of Young Poets, with an Essay on English ... Thomas Smibert No preview available - 2018 |
Rhyming Dictionary for the Use of Young Poets, with an Essay on English ... Thomas Smibert No preview available - 2017 |
Common terms and phrases
able rhymes accent and pause adjectives Allowable rhymes Anglo-Saxon ante-penultimate artist bards beauty Ben Jonson blank verse Byron ciples of verbs composed consonant diction Dictionary double rhymes Dryden elisions employed English poetry English verse epic example expressive exquisite fect rhymes force give harmony heroic hexameter instance Keats language last syllable lowable rhymes melody Milton Moore Muses mute Nature Nearly perfect rhymes nouns and third observed octo-syllabic measure open vowels participles of verbs passage penultimate persons singular present pieces plurals of nouns poems poetical composition poets Pope preceding preterites and parti preterites and participles pronounced rendered rhymes perfectly rhythm rule Shakspere short syllables single rhymes singular of verbs singular present tense song song-writer sound and sense stanza tense of verbs terminations third persons singular thou thought unaccented verbs in ake verbs in ow versification vowels words ending Wordsworth writing
Popular passages
Page 23 - O'er bog or steep, through strait, rough, dense, or rare, With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
Page 12 - Haste thee, nymph, and bring with thee Jest, and youthful Jollity, Quips, and cranks,* and wanton* wiles, Nods, and becks, and wreathed smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides.
Page 10 - Lay a garland on my hearse, Of the dismal yew; Maidens, willow branches bear; Say I died true: My love was false, but I was firm From my hour of birth. Upon my buried body lie Lightly, gentle earth!
Page 22 - Bacchus' blessings are a treasure, Drinking is the soldier's pleasure: Rich the treasure, Sweet the pleasure, Sweet is pleasure after pain. Soothed with the sound, the king grew vain; Fought all his battles o'er again, And thrice he routed all his foes, and thrice he slew the slain!
Page 25 - Sheer o'er the crystal battlements: from morn To noon he fell, from noon to dewy eve, A summer's day; and with the setting sun Dropt from the zenith, like a falling star, On Lemnos, the Aegean isle.
Page 18 - The quality of mercy is not strained; It droppeth, as the gentle rain from heaven Upon the place beneath ; it is twice blessed ; It blesseth him that gives, and him that takes...
Page 25 - Alas! what boots it with incessant care To tend the homely slighted shepherd's trade, And strictly meditate the thankless Muse? Were it not better done as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Page 19 - I know a bank whereon the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with lush woodbine, With sweet musk-roses, and with eglantine...
Page 13 - Over thy decent shoulders drawn. Come, but keep thy wonted state, With even step and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes...