 | 1781 - 754 pages
...confcience, are mixed in yellow and livid on liis countenance, his lips are contracted by trertyir, his tace advances as eager to lie, his legs ftep back as thinking to make his efcape ; one hand is thmft precipitately into his bofotn, the fingers of the other are catching uncertainly at his buttonhole«.... | |
 | Tobias Smollett - 1780 - 504 pages
...Salvacor Rofa would have drawn for Jago in the moment of detection. Villainy, fear, and conference are mixed in yellow and livid on his countenance,...contracted by tremor, his face advances as eager to lie; lislegs fu-p back as thinking to make his efcape; one hand is thru (I precipitately into his bofom,... | |
 | SEVERAL HANDS. - 1781 - 588 pages
...Salvator R о fa would have drawn for Ihgo io the moment of deteflion. Viüany, fe >r, and conkience, are mixed in yellow and livid on his countenance, his lips are с >ntracU-d by tremor, his face advances as eager to lie, his le;s llep back as thinking to m^ke his... | |
 | Horace Walpole, George Vertue - 1786 - 360 pages
...636, Salvator Rofa would have drawn for lago in the moment of detection. Villany, fear, and confcience are mixed in yellow and livid on his countenance,...to lie, his legs ftep back as thinking to make his cfcape; one hand is thruft precipitately into his bofom, the fingers of the other are catching uncertainly... | |
 | 1808 - 408 pages
...detection. Villainy, fear, and j conscience arc mixed in yellow and livid on ! his countenance, his lip- are contracted by { tremor, his. face advances as eager to lie, his legs step back as thinking to make his escape ; one hand is thrust precipitately into his bosom, the fingers... | |
 | William Hogarth - 1808 - 346 pages
...detection. Villany, fear, and conscience, are mixed in yellow and livid on his countenance; his lips arc contracted by tremor; his face advances as eager to lie, his legs slip back as meditating an escape; one hand is thrust precipitately into his bosom, the fingers of... | |
 | James Caulfield - 1820 - 386 pages
...Salvator Rosa would have drawn for logo in the moment of detection. Villany, fear, and conscience, are mixed in yellow and livid on his countenance;...contracted by tremor; his face advances, as eager to He ; his legs step back, as thinking to make his escape ; one hand is thrust precipitately into his... | |
 | Horace Walpole - 1827 - 400 pages
...Salvator Rosa would have drawn for lago in the moment of detection. Villainy, fear, and conscience are mixed in yellow and livid on his countenance,...tremor, his face advances as eager to lie, his legs step back as thinking to make his escape; one hand is thrust precipitately into his bosom, the fingers... | |
 | Allan Cunningham - 1832 - 324 pages
...for lago in the moment of detection. Villany, fear, and conscience are mixed in yellow and livid upon his countenance, his lips are contracted by tremor, his face advances as eager to lie, his legs step back as thinking to make his escape, one hand is thrust forward into his bosom, the fingers of... | |
 | 1834 - 532 pages
...lago in the moment «>f det-eefion. Villany, («ar, and conscience are mixed in yellow and livid on hw countenance; his lips are contracted by tremor, his face advances as eager to h'er his legs step back as thinking to make hi- escape ; one hand « thrnst precipitately into his... | |
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Villany, fear, and conscience are mixed in yellow and livid on his countenance, his lips are contracted by tremor, his face advances as eager to lie, his legs step back as thinking to make his escape; one hand is thrust precipitately into his bosom, the... 
