Empathy and the NovelDoes empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers. |
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Page vii
Read Henry James and live well (Love's Knowledge 148); become a better world citizen through canonical novels, ... however, that readers feel empathy with (and sympathy for) fictional characters and other aspects of fictional worlds.
Read Henry James and live well (Love's Knowledge 148); become a better world citizen through canonical novels, ... however, that readers feel empathy with (and sympathy for) fictional characters and other aspects of fictional worlds.
Page ix
This brings us to the problem of popular fiction, which has not often been praised for the beneficial effects ... If immersion in culturally valued fictional worlds—canonical literature and serious fiction—predisposes readers to good ...
This brings us to the problem of popular fiction, which has not often been praised for the beneficial effects ... If immersion in culturally valued fictional worlds—canonical literature and serious fiction—predisposes readers to good ...
Page xii
A Theory of Narrative Empathy Character identification often invites empathy, even when the fictional character and reader ... The generic and formal choices made by authors in crafting fictional worlds play a role in inviting (or ...
A Theory of Narrative Empathy Character identification often invites empathy, even when the fictional character and reader ... The generic and formal choices made by authors in crafting fictional worlds play a role in inviting (or ...
Page xv
Feeling Good about Fiction Bold claims have been made for the positive consequences of novel reading, ... For immersed readers, entering fictional worlds allows a refreshing escape from ordinary, everyday pressures and preoccupations.19 ...
Feeling Good about Fiction Bold claims have been made for the positive consequences of novel reading, ... For immersed readers, entering fictional worlds allows a refreshing escape from ordinary, everyday pressures and preoccupations.19 ...
Page xxvii
A book about what happens to readers when they experience empathy for fictional characters (or other aspects of novelistic worlds) depends, first and foremost, on the generosity of readers. One can impose on one's students (and believe ...
A book about what happens to readers when they experience empathy for fictional characters (or other aspects of novelistic worlds) depends, first and foremost, on the generosity of readers. One can impose on one's students (and believe ...
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Contents
1 Contemporary Perspectives on Empathy | 3 |
2 The Literary Career of Empathy | 37 |
3 Readers Empathy | 65 |
4 Empathy in the Marketplace | 101 |
5 Authors Empathy | 121 |
6 Contesting Empathy | 145 |
A Collection of Hypotheses about Narrative Empathy | 169 |
Notes | 173 |
Works Cited | 209 |
Index | 235 |
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activity aesthetic altruism Anil’s Ghost another’s argues authors Batson behavior believe Book Club brain Butler C. K. Stead chapter character identification character’s cognitive compassion contemporary cultivation cultural Daniel Batson discussion effects of reading Efuru emotional contagion emotional responses empa empathetic reading experiences empathetic response empathic inaccuracy emphasize ethical false empathy female Female Genital Cutting fictional characters fictional worlds fMRI gender genres Hakemulder Hoffman imagination individuals instance intentionally left blank J. K. Rowling Kuiken literary reading literature Martha Nussbaum Miall middlebrow mirror neurons Mistry’s Moral Development motives Nancy Eisenberg narration narrative empathy novel reading novelists Nussbaum Octavia Butler Ondaatje one’s Oprah personal distress popular postcolonial prosocial action psychologists reactions readers representation rescuers responses to fiction result role taking role-taking shared feeling social story suggests sympathy texts theorists theory tion tive understanding universal victims Victorian Wayne Booth Winfrey Winfrey’s women writing