Empathy and the NovelDoes empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers. |
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Page ix
Discoveries about narrative empathy may also help explain aspects of literary response that have been neglected or disparaged by scholars even as they have been experienced by millions of readers. This brings us to the problem of ...
Discoveries about narrative empathy may also help explain aspects of literary response that have been neglected or disparaged by scholars even as they have been experienced by millions of readers. This brings us to the problem of ...
Page x
Indeed, they must not be, for if we hope to continue to recruit more people to the ranks of regular readers, then the ways in which they respond to texts ought to matter to literary professionals. Publishers, agents, and novelists ...
Indeed, they must not be, for if we hope to continue to recruit more people to the ranks of regular readers, then the ways in which they respond to texts ought to matter to literary professionals. Publishers, agents, and novelists ...
Page xi
Genre, setting, and time period may help or hinder readers' empathy. Feeling out of sorts with the implied readership, or fitting it exactly, may make the difference between a dutiful reading and an experience of emotional fusion.11 ...
Genre, setting, and time period may help or hinder readers' empathy. Feeling out of sorts with the implied readership, or fitting it exactly, may make the difference between a dutiful reading and an experience of emotional fusion.11 ...
Page xii
Whether a reader's empathy or her identification with a character comes first is an open question: spontaneous empathy for ... Finally, readers' experiences differ from one another, and empathy with characters doesn't always occur as a ...
Whether a reader's empathy or her identification with a character comes first is an open question: spontaneous empathy for ... Finally, readers' experiences differ from one another, and empathy with characters doesn't always occur as a ...
Page xiii
in inviting (or retarding) readers' empathic responses. This means that for some readers, the author's use of the formulaic conventions of a thriller or a romance novel would increase empathetic resonance, while for other readers ...
in inviting (or retarding) readers' empathic responses. This means that for some readers, the author's use of the formulaic conventions of a thriller or a romance novel would increase empathetic resonance, while for other readers ...
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Contents
1 Contemporary Perspectives on Empathy | 3 |
2 The Literary Career of Empathy | 37 |
3 Readers Empathy | 65 |
4 Empathy in the Marketplace | 101 |
5 Authors Empathy | 121 |
6 Contesting Empathy | 145 |
A Collection of Hypotheses about Narrative Empathy | 169 |
Notes | 173 |
Works Cited | 209 |
Index | 235 |
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activity aesthetic altruism Anil’s Ghost another’s argues authors Batson behavior believe Book Club brain Butler C. K. Stead chapter character identification character’s cognitive compassion contemporary cultivation cultural Daniel Batson discussion effects of reading Efuru emotional contagion emotional responses empa empathetic reading experiences empathetic response empathic inaccuracy emphasize ethical false empathy female Female Genital Cutting fictional characters fictional worlds fMRI gender genres Hakemulder Hoffman imagination individuals instance intentionally left blank J. K. Rowling Kuiken literary reading literature Martha Nussbaum Miall middlebrow mirror neurons Mistry’s Moral Development motives Nancy Eisenberg narration narrative empathy novel reading novelists Nussbaum Octavia Butler Ondaatje one’s Oprah personal distress popular postcolonial prosocial action psychologists reactions readers representation rescuers responses to fiction result role taking role-taking shared feeling social story suggests sympathy texts theorists theory tion tive understanding universal victims Victorian Wayne Booth Winfrey Winfrey’s women writing