Empathy and the NovelDoes empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers. |
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Page x
Indeed, they must not be, for if we hope to continue to recruit more people to the ranks of regular readers, then the ways in which they respond to texts ought to matter to literary professionals. Publishers, agents, and novelists ...
Indeed, they must not be, for if we hope to continue to recruit more people to the ranks of regular readers, then the ways in which they respond to texts ought to matter to literary professionals. Publishers, agents, and novelists ...
Page xiv
This is not to say that trained readers' empathetic experiences with complex, experimental, difficult, and high literary texts hold no interest, rather that a theory of narrative empathy that cannot explain commonplace, frequent, ...
This is not to say that trained readers' empathetic experiences with complex, experimental, difficult, and high literary texts hold no interest, rather that a theory of narrative empathy that cannot explain commonplace, frequent, ...
Page xvii
While some critics have reacted to the report as a jeremiad or as insufficiently attentive to the textual nature of our on-line activities, most authors, readers, editors, teachers, and librarians respond to the call to action with ...
While some critics have reacted to the report as a jeremiad or as insufficiently attentive to the textual nature of our on-line activities, most authors, readers, editors, teachers, and librarians respond to the call to action with ...
Page xxii
The chapter ends with a set of readings of three sample texts, showing that at least for a small sample of readers, the avowed fictionality of a text opens up the possibility for a feeling response by disarming suspicion.
The chapter ends with a set of readings of three sample texts, showing that at least for a small sample of readers, the avowed fictionality of a text opens up the possibility for a feeling response by disarming suspicion.
Page xxiii
I study how this audience (made up of Oprah's Book Club members) constructs ideal texts and characters with whom they can empathize and takes up the challenge of reading fiction about painful subjects by making it relevant to their own ...
I study how this audience (made up of Oprah's Book Club members) constructs ideal texts and characters with whom they can empathize and takes up the challenge of reading fiction about painful subjects by making it relevant to their own ...
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Contents
1 Contemporary Perspectives on Empathy | 3 |
2 The Literary Career of Empathy | 37 |
3 Readers Empathy | 65 |
4 Empathy in the Marketplace | 101 |
5 Authors Empathy | 121 |
6 Contesting Empathy | 145 |
A Collection of Hypotheses about Narrative Empathy | 169 |
Notes | 173 |
Works Cited | 209 |
Index | 235 |
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activity aesthetic altruism Anil’s Ghost another’s argues authors Batson behavior believe Book Club brain Butler C. K. Stead chapter character identification character’s cognitive compassion contemporary cultivation cultural Daniel Batson discussion effects of reading Efuru emotional contagion emotional responses empa empathetic reading experiences empathetic response empathic inaccuracy emphasize ethical false empathy female Female Genital Cutting fictional characters fictional worlds fMRI gender genres Hakemulder Hoffman imagination individuals instance intentionally left blank J. K. Rowling Kuiken literary reading literature Martha Nussbaum Miall middlebrow mirror neurons Mistry’s Moral Development motives Nancy Eisenberg narration narrative empathy novel reading novelists Nussbaum Octavia Butler Ondaatje one’s Oprah personal distress popular postcolonial prosocial action psychologists reactions readers representation rescuers responses to fiction result role taking role-taking shared feeling social story suggests sympathy texts theorists theory tion tive understanding universal victims Victorian Wayne Booth Winfrey Winfrey’s women writing