Guided By Voices' Bee ThousandBloomsbury Publishing USA, 2006 M10 2 - 144 pages Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand. In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. |
From inside the book
Results 1-5 of 24
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A. R. Capetta. PRAISE FOR ECHO AFTER ECHO " A complex cast of suspicious characters , a relentless undercurrent of fear , sophisticated plot development , and the lyrical language Capetta ... ECHO AFTER ECHO A. R. Capetta CANDLEWICK PRESS.
A. R. Capetta. PRAISE FOR ECHO AFTER ECHO " A complex cast of suspicious characters , a relentless undercurrent of fear , sophisticated plot development , and the lyrical language Capetta ... ECHO AFTER ECHO A. R. Capetta CANDLEWICK PRESS.
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Dance 229-6022 GLEN ECHO DANCE THEATER Glen Echo Dance Theater is a non - profit corporation whose purpose is to provide a dance center offering the Washington area an excellent school of dance with a resident professional dance company ...
Dance 229-6022 GLEN ECHO DANCE THEATER Glen Echo Dance Theater is a non - profit corporation whose purpose is to provide a dance center offering the Washington area an excellent school of dance with a resident professional dance company ...
Page 102
Stephanie Paris. footsteps, he shouted, “Who's here?” Echo answered, “Here!” Narcissus called, “Come to me!” and lovesick Echo answered eagerly, “Come to me!” “Let us join one another!” cried Narcissus. And Echo answered back the same ...
Stephanie Paris. footsteps, he shouted, “Who's here?” Echo answered, “Here!” Narcissus called, “Come to me!” and lovesick Echo answered eagerly, “Come to me!” “Let us join one another!” cried Narcissus. And Echo answered back the same ...
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... ( Echo ) and then men . But even when he is alone ( watched by Echo ) speech is the one thing that could break his absorption in the image , language the medium that could explain the image's status as reflection . It is only by ...
... ( Echo ) and then men . But even when he is alone ( watched by Echo ) speech is the one thing that could break his absorption in the image , language the medium that could explain the image's status as reflection . It is only by ...
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... Echo Lake and its envi- rons , and his family , being among the pioneers at Echo , has earned the gratitude of generations of Lakers and others , including my own family . Peter's grandparents , Arthur and Gertrude Caldwell , were warm ...
... Echo Lake and its envi- rons , and his family , being among the pioneers at Echo , has earned the gratitude of generations of Lakers and others , including my own family . Peter's grandparents , Arthur and Gertrude Caldwell , were warm ...
Contents
1 | |
3 | |
4 | |
6 | |
12 | |
13 | |
Listener Response 5 | 36 |
A Correspondence with Lewis Klahr | 37 |
Fauna | 110 |
A SonnetMade from Bee Thousand Fragments Themselves Often Fragments | 111 |
Robert Griffin | 112 |
States Of Being | 117 |
Fiction Man Hardcore Facts Part Four | 118 |
Dan Toohey | 130 |
Listener Response 12 | 132 |
Dayton Ode | 135 |
Fiction Man Hardcore Facts Part Two | 44 |
Listener Response 6 | 54 |
Don Thrasher | 55 |
Fiction Man Hardcore Facts Part Three | 64 |
Desire Its Limits | 70 |
Kevin Fennell | 72 |
Listener Responses 7 8 | 81 |
Spatial Representation 9 of Bee Thousand Action Motives | 84 |
On Robert Pollards Lyrics | 85 |
Listener Responses 911 | 109 |
Listener Response 13 | 137 |
Kicks | 138 |
Greg Demos | 142 |
Generation | 144 |
Tobin Sprouts Tascam Portastudio 1 FourTrack ElectroHarmonix Memory Man | 145 |
Tobin Sprout | 146 |
Listener Responses 1416 | 154 |
Fiction Man Hardcore Facts Part Five | 155 |
Acknowledgments | 159 |
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Common terms and phrases
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