Guided By Voices' Bee ThousandBloomsbury Publishing USA, 2006 M10 2 - 144 pages Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand. In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. |
From inside the book
Results 1-5 of 21
Page 3
... became friends . Listener Response # 2 : Ian Miller Just about everything that I found annoying about the album on first listen would later turn into my favorite things about the album . Listener Response # 3 : Rachel R. I NEVER had a ...
... became friends . Listener Response # 2 : Ian Miller Just about everything that I found annoying about the album on first listen would later turn into my favorite things about the album . Listener Response # 3 : Rachel R. I NEVER had a ...
Page 12
... became a touchstone of uncorrupted brilliance quickly labeled a " do - it - yourself ” or “ lo - fi ” masterpiece . The album that nearly never was by a band that never really was became a much - loved collection and a signal influence ...
... became a touchstone of uncorrupted brilliance quickly labeled a " do - it - yourself ” or “ lo - fi ” masterpiece . The album that nearly never was by a band that never really was became a much - loved collection and a signal influence ...
Page 13
... became the darlings of the underground . When we put out Bee Thousand , some people considered it to be a masterpiece . It's still funny to me to call something thrown together so haphazardly a masterpiece . After working on music for ...
... became the darlings of the underground . When we put out Bee Thousand , some people considered it to be a masterpiece . It's still funny to me to call something thrown together so haphazardly a masterpiece . After working on music for ...
Page 15
... . ” I thought it was funny and a little too boastful and over the top with tongue - in - cheek pride . What became “ Echos Myron " had been a really creamy love song before we charged it up with a double - time drum 15 BEE THOUSAND.
... . ” I thought it was funny and a little too boastful and over the top with tongue - in - cheek pride . What became “ Echos Myron " had been a really creamy love song before we charged it up with a double - time drum 15 BEE THOUSAND.
Page 16
... became a chest - beater- " hey you , step aside ” ; “ lo - fi , move over . ” “ Towers to the sky ” — the possibilities are unlimited and whatever . I wrote “ Gold Star for Robot Boy " when I was in the process of making a decision ...
... became a chest - beater- " hey you , step aside ” ; “ lo - fi , move over . ” “ Towers to the sky ” — the possibilities are unlimited and whatever . I wrote “ Gold Star for Robot Boy " when I was in the process of making a decision ...
Contents
1 | |
3 | |
4 | |
6 | |
12 | |
13 | |
Listener Response 5 | 36 |
A Correspondence with Lewis Klahr | 37 |
Fauna | 110 |
A SonnetMade from Bee Thousand Fragments Themselves Often Fragments | 111 |
Robert Griffin | 112 |
States Of Being | 117 |
Fiction Man Hardcore Facts Part Four | 118 |
Dan Toohey | 130 |
Listener Response 12 | 132 |
Dayton Ode | 135 |
Fiction Man Hardcore Facts Part Two | 44 |
Listener Response 6 | 54 |
Don Thrasher | 55 |
Fiction Man Hardcore Facts Part Three | 64 |
Desire Its Limits | 70 |
Kevin Fennell | 72 |
Listener Responses 7 8 | 81 |
Spatial Representation 9 of Bee Thousand Action Motives | 84 |
On Robert Pollards Lyrics | 85 |
Listener Responses 911 | 109 |
Listener Response 13 | 137 |
Kicks | 138 |
Greg Demos | 142 |
Generation | 144 |
Tobin Sprouts Tascam Portastudio 1 FourTrack ElectroHarmonix Memory Man | 145 |
Tobin Sprout | 146 |
Listener Responses 1416 | 154 |
Fiction Man Hardcore Facts Part Five | 155 |
Acknowledgments | 159 |
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Common terms and phrases
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