Guided By Voices' Bee ThousandBloomsbury Publishing USA, 2006 M10 2 - 144 pages Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand. In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. |
From inside the book
Results 1-5 of 42
Page 3
... become friends with . He asked if he could borrow a few CDs from me— “ new music ” is what he was looking for . I gave him a handful of CDs , including Bee Thousand which was shaping up to be my favorite record that year . The day he ...
... become friends with . He asked if he could borrow a few CDs from me— “ new music ” is what he was looking for . I gave him a handful of CDs , including Bee Thousand which was shaping up to be my favorite record that year . The day he ...
Page 4
... become a fully human expression ? The context , the medium , a mode ( however circumscribed and separate from other kinds of art - making ) replete with its own history , conventions , and forms , themselves rich and wide - ranging ...
... become a fully human expression ? The context , the medium , a mode ( however circumscribed and separate from other kinds of art - making ) replete with its own history , conventions , and forms , themselves rich and wide - ranging ...
Page 5
... becomes its mistake , no longer a mistake , and what was its imperfection becomes not only a sign of the love that made the song appear on tape in the first place , but something , itself , to love . The song is like a lover who has ...
... becomes its mistake , no longer a mistake , and what was its imperfection becomes not only a sign of the love that made the song appear on tape in the first place , but something , itself , to love . The song is like a lover who has ...
Page 9
... become in the process . The music we loved in our youth , some of us , insisted on its seamless perfection and its distance from the everyday . We didn't see anything familiar in the mythic medievalism of a Led Zeppelin opus or the ...
... become in the process . The music we loved in our youth , some of us , insisted on its seamless perfection and its distance from the everyday . We didn't see anything familiar in the mythic medievalism of a Led Zeppelin opus or the ...
Page 11
... becomes a more complicated statement than it would at first appear , our first glimpse of the complexity of the atypical ingredients that went into Bee Thousand . Back to the conversation : Pollard pauses for a moment , reconsidering ...
... becomes a more complicated statement than it would at first appear , our first glimpse of the complexity of the atypical ingredients that went into Bee Thousand . Back to the conversation : Pollard pauses for a moment , reconsidering ...
Contents
1 | |
3 | |
4 | |
6 | |
12 | |
13 | |
Listener Response 5 | 36 |
A Correspondence with Lewis Klahr | 37 |
Fauna | 110 |
A SonnetMade from Bee Thousand Fragments Themselves Often Fragments | 111 |
Robert Griffin | 112 |
States Of Being | 117 |
Fiction Man Hardcore Facts Part Four | 118 |
Dan Toohey | 130 |
Listener Response 12 | 132 |
Dayton Ode | 135 |
Fiction Man Hardcore Facts Part Two | 44 |
Listener Response 6 | 54 |
Don Thrasher | 55 |
Fiction Man Hardcore Facts Part Three | 64 |
Desire Its Limits | 70 |
Kevin Fennell | 72 |
Listener Responses 7 8 | 81 |
Spatial Representation 9 of Bee Thousand Action Motives | 84 |
On Robert Pollards Lyrics | 85 |
Listener Responses 911 | 109 |
Listener Response 13 | 137 |
Kicks | 138 |
Greg Demos | 142 |
Generation | 144 |
Tobin Sprouts Tascam Portastudio 1 FourTrack ElectroHarmonix Memory Man | 145 |
Tobin Sprout | 146 |
Listener Responses 1416 | 154 |
Fiction Man Hardcore Facts Part Five | 155 |
Acknowledgments | 159 |
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Common terms and phrases
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