A Poetry PrimerRinehart, 1935 - 92 pages |
From inside the book
Results 1-3 of 10
Page 42
... syllables of very , gather , and beauty and the second syl- lable of beloved are accented for etymological reasons ; names , dear , sounds , and sense are accented for rhetorical reasons ; and things and from for metrical reasons . TIME ...
... syllables of very , gather , and beauty and the second syl- lable of beloved are accented for etymological reasons ; names , dear , sounds , and sense are accented for rhetorical reasons ; and things and from for metrical reasons . TIME ...
Page 44
... syllables it contains and the position of the accented syllable . In English prosody four principal feet are recognized— the iamb , the trochee , the anapest , and the dactyl . An iambic foot , or an iamb , is one composed of two syllables ...
... syllables it contains and the position of the accented syllable . In English prosody four principal feet are recognized— the iamb , the trochee , the anapest , and the dactyl . An iambic foot , or an iamb , is one composed of two syllables ...
Page 45
... syllables , and the anapest and the dactyl in having three syllables ; while the iamb and the anapest are alike in accent- ing the final syllable , and the trochee and the dactyl in accenting the first syllable . When the unaccented ...
... syllables , and the anapest and the dactyl in having three syllables ; while the iamb and the anapest are alike in accent- ing the final syllable , and the trochee and the dactyl in accenting the first syllable . When the unaccented ...
Contents
PREFACE CHAPTER I THE POET | 1 |
THE NATURE AND USES OF POETRY | 4 |
THE LANGUAGE OF POETRY | 13 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
abab accent anapest antistrophe basic foot beauty birds blank verse Browning's called catalexis century cesura common consonants couplet Cowleyan dactyl death doth drama edited elements emotion employed English poetry English verse envoy epode examples experience expression feeling feet free verse give Greek hath Heaven heroic epic iamb iambic pentameter ideas imagination important instance Italian form Keats language light lines LONGFELLOW love thee Lowell's lyric poetry matter Matthew Arnold metre metrical scheme Milton mind narrative poetry night o'er pause person Pindar poem poet poetic popular ballad prose prosody qualities quatrain rhetorical rhythm rime-scheme riming words Robert Bridges Rose sense Shakespeare Shelley Shelley's sing song sonnet soul sounds Spenser stanza stanzaic forms story stress strophe structure student sweet syllables rime TENNYSON tercet themes things thou thought tion trochaic trochee understanding unstressed syllables usually vowels W. B. Yeats Whitman's WORDSWORTH writing written