The Cambridge Companion to Shakespeare on StageThis 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book. |
What people are saying - Write a review
Reviews aren't verified, but Google checks for and removes fake content when it's identified
LibraryThing Review
User Review - RKC-Drama - LibraryThingThis Companion is designed for readers interested in past and present productions of Shakespeare’s plays, both in and beyond Britain. The first six chapters describe aspects of the British performing ... Read full review
Contents
Shakespeare plays on Renaissance stages | 1 |
Improving Shakespeare from the Restoration to Garrick | 21 |
Romantic Shakespeare | 37 |
Pictorial Shakespeare | 58 |
Reconstructive Shakespeare reproducing Elizabethan and Jacobean stages | 76 |
Twentiethcentury performance the Stratford and London companies | 98 |
The tragic actor and Shakespeare | 118 |
The comic actor and Shakespeare | 137 |
International Shakespeare | 174 |
Touring Shakespeare | 194 |
Shakespeare on the political stage in the twentieth century | 212 |
Shakespeare in North America | 230 |
Shakespeare on the stages of Asia | 259 |
Shakespeare and Africa | 284 |
300 | |
310 | |
Other editions - View all
The Cambridge Companion to Shakespeare on Stage Stanley Wells,Sarah Stanton No preview available - 2002 |
Common terms and phrases
acting action actors actress adaptation American appeared audience became become Cambridge Companion career century changes chapter characters Charles comedy comic contemporary costumes created critics cultural decades designed directed director drama Dream early edited effects Elizabethan England English example experience Festival German Globe Hamlet Henry interpretation Irving John Juliet Kean Kean's Kemble King Lear Lady language late later leading less London look Macbeth manager means Measure Michael moral move nature never noted offered opened original Othello painted particular performance period Peter pictorial playwright political popular presented production represented reviewers revivals Richard role Romeo Sarah Siddons scene scenery season seen sense Shakespeare Shakespeare's plays Shylock space speak stage Stratford style success Tempest theatre theatrical Thomas tion touring tradition tragedy tragic translation turn University Press women wrote York young