Dwight's Journal of Music, Volumes 5-6John Sullivan Dwight Oliver Ditson & Company, 1855 |
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Page 2
... played in strict time , would be unnatural , and lose its simplicity . To produce its true ef- fect , imagination must transport the performer to the mountains where the melody is indigenous : whilst executing it in Paris , it must be ...
... played in strict time , would be unnatural , and lose its simplicity . To produce its true ef- fect , imagination must transport the performer to the mountains where the melody is indigenous : whilst executing it in Paris , it must be ...
Page 3
... played by Mrs. Thompson ( late Miss Kate Loder ) , — her last appearance as a public performer . The loss in her of one of the best pianists of the classical school appears to be much regretted . Sig . Belletti sang an air from Spohr's ...
... played by Mrs. Thompson ( late Miss Kate Loder ) , — her last appearance as a public performer . The loss in her of one of the best pianists of the classical school appears to be much regretted . Sig . Belletti sang an air from Spohr's ...
Page 4
... played superbly , and was admirably supported by the stringed instruments . Mile . Graver also played Liszt's fantasia , “ Les Pati- neurs , " from the Prophete , which was injudicious , since that morceau is quite beyond the lady's ...
... played superbly , and was admirably supported by the stringed instruments . Mile . Graver also played Liszt's fantasia , “ Les Pati- neurs , " from the Prophete , which was injudicious , since that morceau is quite beyond the lady's ...
Page 17
... played by the author , Ferdinand David . The chief vocal attraction was the Wie nahte mir der Schlummer , " from Weber's Freischütz , sung by Louise Schleger , a pupil of Pohlenz . But it would be wearisome both to me and the reader ...
... played by the author , Ferdinand David . The chief vocal attraction was the Wie nahte mir der Schlummer , " from Weber's Freischütz , sung by Louise Schleger , a pupil of Pohlenz . But it would be wearisome both to me and the reader ...
Page 18
... played in public on the 1st of February , by Mendelssohn , David , and Wittman , and gave the greatest satisfaction to the friends of the composer . The fire and passion in the first movement , the andante con moto tranquillo with its ...
... played in public on the 1st of February , by Mendelssohn , David , and Wittman , and gave the greatest satisfaction to the friends of the composer . The fire and passion in the first movement , the andante con moto tranquillo with its ...
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Popular passages
Page 165 - neath a curtain of translucent dew, Bathed in the rays of the great setting flame, Hesperus, with the host of heaven, came, And lo ! creation widened in man's view.
Page 126 - Magnus, in which the small ones, being victorious, are said to have buried the bodies of their own soldiers, but left those of their giant enemies a prey to the birds. This event happened previous to the expulsion of the tyrant Christiern the Second from Sweden.
Page 132 - It is no honest and blunt tuwhit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves.
Page 157 - Cumae's cavern close, The cheeks, with fast and sorrow thin, The rigid front, almost morose, But for the patient hope within, Declare a life whose course hath been Unsullied still, though still severe, Which, through the wavering days of sin, Kept itself icy-chaste and clear. Not wholly such his haggard look When wandering once, forlorn, he strayed...
Page 156 - SEE, from this counterfeit of him Whom Arno shall remember long, How stern of lineament, how grim, The father was of Tuscan song. There but the burning sense of wrong, Perpetual care and scorn, abide ; Small friendship for the lordly throng ; Distrust of all the world beside. Faithful if this wan image be, No dream his life was — but a fight ; Could any Beatrice see A lover in that anchorite ? To that cold Ghibeline's gloomy sight Who could have guessed the visions came Of Beauty, veiled with heavenly...
Page 157 - Peace dwells not here, — this rugged face Betrays no spirit of repose ; The sullen warrior sole we trace, The marble man of many woes. Such was his mien when first arose The thought of that strange tale divine, When hell he peopled with his foes, The scourge of many a guilty line.
Page 131 - At a sufficient distance over the woods, this sound acquires a certain vibratory hum, as if the pine needles in the horizon were the strings of a harp which it swept. All sound heard at the greatest possible distance produces one and the same effect, a vibration of the universal lyre...
Page 107 - To th' instruments divine respondence meet: The silver sounding instruments did meet With the base murmure of the waters fall; The waters fall with difference discreet, Now soft, now loud, unto the wind did call: The gentle warbling wind low answered to all.
Page 18 - I'm whistling or lilting what you sung, Your smile is always in my heart, your name beside my tongue; But you've as many sweethearts as you'd count on both your hands, And for myself there's not a thumb or little finger stands. Oh, you're the flower o' womankind in country or in town!
Page 132 - ... of the house. They would begin to sing almost with as much precision as a clock, within five minutes of a particular time, referred to the setting of the sun, every evening. I had a rare opportunity to become acquainted with their habits. Sometimes I heard four or five at once in different parts of the wood, by accident one a bar behind another, and so near me that I distinguished not only the cluck after each note, but often that singular buzzing sound like a fly in a spider's web, only proportionally...