The Eighteenth-century Novel, Volumes 1-7

aesthetic Amelia argues arts Austen biography Booth Boswell British Catharine Maria Sedgwick century chapter character claim Cleland colonial Comitini critics Crusoe Daniel Defoe Defoe Defoe's Dunciad earless ears Edgeworth eighteenth eighteenth-century Eliza Haywood empirical England essay Evelina example experience Fanny Fanny's Fantomina fiction Fielding Fielding's Frances Burney gender genre georgic Goldsmith's Gothic Gothic novels Haywood Henry Fielding heroine human Hume imagination Ireland Irish Jane Austen John Richetti Johnson Jones kind literary literature Lives Lovel Madame Duval Mansfield Park marriage modern monkey moral myth narrative narrator nature novelist objects Old London Bridge passions person philosophy pillory play Plutarch poem poetry poets political Pope Pope's popular culture Press Prynne readers Richardson Robinson Crusoe romance Samuel Johnson satire says Sedgwick sense sentimental sexual social story style suggests theory things tion Tom Jones tradition Tristram Shandy virtue William Woman of Pleasure women writing