Venice & the Grand TourFor well over a century, the Grand Tour of France and Italy - which included a stay in Venice - served as the ultimate in finishing schools for the young male elite of Great Britain. This book explores Venice's magnetic hold on the imagination of the Grand Tourist and connects the ideology of the Tour to the mythology of Venice. According to Bruce Redford, the Tour offered a heady combination of aesthetic, social political, and sexual experience, and it provided its alumni with a life-long source of cultural and political authority. Yet from the beginning the Tour was also viewed with deep suspicion: it was feared that the very experiences that completed the British gentleman might well undo him. The aspiration and ambivalence that characterize the Tour attached themselves most powerfully to the experience of Venice. Drawing on a wide range of materials - from guidebooks to portraits, from satirical poems to garden pavilions - Redford investigates Venice's power of attraction for the British, and shows that it was a source of many echoes and metaphors of Britain's own cultural, political, and geographical situation. |
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Venice & the grand tour
User Review - Not Available - Book VerdictRedford (English, Univ. of Chicago) examines the uses of the "grand tour" of France and Italy for young English gentlemen of the period 1650-1800, explaining why it was held in contempt as well as in ... Read full review
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achieved Addison appear artist associated attention authority Batoni Beckford become begins Britain British Burnet Byron called Canto century chapter classical Collection complete composition consider constitution continued contrast conventions cultural decorated describes designed detail direct Doge effect England English example experience fact final give Government Grand Tour Grand Tourist hand helped important included Italian Italy John Kedleston Hall kind landscape language Lassels learning letters liberty literary London look Lord means mind Museum myth narrative nature notes observes offers Oil on canvas opening painted past pastel picture Plate play political Pope portrait practice present reader remains Republic response Richardsons Roman Rome ruins sense sexual significance status suggests takes Temple thought tion traveler turn Venetian Venice Venice's Venus visual whole writing young
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Page 127 - His prose is the model of the middle style ; on grave subjects not formal, on light occasions not groveling; pure without scrupulosity, and exact without apparent elaboration ; always equable, and always easy, without glowing words or pointed sentences. Addison never deviates from his track to snatch a grace ; he seeks no ambitious ornaments, and tries no hazardous innovations. His page is always luminous, but never blazes in unexpected splendour.