...simply absolute and eternal." A new struggle, (i) I quote from Bosanquet's translation of the Msthetik. therefore, to express the Idea in all its fullness...the place of precise and definite characterization ; phantastic caprice rules instead of law and measure. But while in the first symbolic stage the Idea...

...simply absolute and eternal." A new struggle, (i) I quote from Bosanquet's translation of the Msthetik. therefore, to express the Idea in all its fullness...spirit becomes once more an unattainable ideal ; vague, deepv unutterable longings once more take the place of precise and definite characterization ; phantastic...

...art, and demands a transition into a third and higher form, viz. into the rotnantic form of art. (7) The romantic form of art destroys the completed union...difference and antagonism of two aspects which was left unvanqjished by symbolic art. The classical type attained the' highest excellence, of which the sensuous...

...into the romantti form of art. (y) The romantic form of art destroys the completed onion of the Uc and its reality, and recurs, though in a higher phase, to that difference *=. antagonism of two aspects which was left unvanquished by symbolic art. Ts classical type attained...

...classical art, and demands a transition into a third and higher form, viz. into the romantic form of art. The romantic form of art destroys the completed union...aspects which was left unvanquished by symbolic art. The classical type attained the highest excellence of which the sensuous embodiment of art is capable;...

...art, and demands a transition into a third and higher form, viz, into the romantic form of art. ('y) The romantic form of art destroys the completed union...difference and antagonism of two aspects which was left u vanquished by symbolic art. The classical type attained the highest excellence, of which the sensuous...